Journalist tells gripping true-crime tale in ‘Darkness’

“People Who Eat Darkness: The Fate of Lucie Blackman” by Richard Lloyd Parry is the true story of a young British woman who vanished from the streets of Tokyo in 2000 and the evil that swallowed her up (she was raped and killed). Parry, a longtime Tokyo-based journalist, chronicles her family’s efforts to find her and the police search for the perpetrator.

It took police seven months to find her remains. “Either the police had conspired in a misguided cover-up that had resulted in the decay of precious forensic evidence,” Parry writes, “or they had achieved the same result through scarcely credible oversight and incompetence.”

Parry has received excellent reviews for his work. Carolyn Kellogg of the LA Times calls it a dark, unforgettable ride that earns its comparisons to Truman Capote’s “In Cold Blood” and Norman Mailer’s “The Executioner’s Song.”

I requested a review copy today and will be writing more later.

Free stuff from FNB: More chances to win Bogart movies

The reader-giveaway prize for June was the Humphrey Bogart set, which contains “They Drive by Night,” “Across the Pacific,” “Action in the North Atlantic” and “Passage to Marseille,” from Warner Home Video and Turner Classic Movies. I am extending this giveaway to July so that I can run a review of “They Drive by Night.”

In August, I will give away the WHV/TCM Greatest Gangster Films: Humphrey Bogart set, featuring “High Sierra,” “The Petrified Forest,” “The Amazing Dr. Clitterhouse” and “All Through the Night.” I will run a review of “High Sierra” in August. Each set is $27.92.

All who entered in June are still eligible to win. To enter the July giveaway, for the Classic Legends: Humphrey Bogart set, just leave a comment on any FNB post from July 1-31.

We welcome comments, but please remember that, for the purposes of the giveaway, there is one entry per person, not per comment.

The June-July winner will be randomly selected at the end of the month and announced in early August. Include your email address in your comment so that I can notify you if you win. Your email will not be shared. Good luck!

Here’s more info on the movies in the Classic Legends: Humphrey Bogart set. [Read more…]

Guest programmer Spike Lee picks four great titles for TCM

Andy Griffith and Patricia Neal star in “A Face in the Crowd.”

Director, producer, writer and actor Spike Lee, guest programming for TCM, has selected four excellent films, all of which have strong film-noir elements and social/political themes. The movies will play at various times this month, starting on Thursday, July 5.

Ace in the Hole” (1951, Billy Wilder) Kirk Douglas stars as a sleazy reporter who will go to any length to restart his career.

On the Waterfront” (1954, Elia Kazan) A washed-up boxer and mob member (Marlon Brando) tries to redeem himself when he falls in love with a victim of the mob (Eva Marie Saint).

A Face in the Crowd” (1957, Elia Kazan) The unlikely rise of a brutal drifter (Andy Griffith) to a media/TV sensation is set against the background of the South in the 1950s. Also stars Patricia Neal and Walter Matthau.

The Night of the Hunter” (1955, Charles Laughton) Another Southern saga: Robert Mitchum plays a murderous preacher, specializing in seducing and killing widows. The outstanding cast includes Shelley Winters and Lillian Gish.

Read Michael Wilmington’s tribute to Andy Griffith here.

Meanwhile, a very happy Fourth of July to everyone!

Mitzi Gaynor to appear at UCLA’s Jack Cole tribute night

So many bad girls, so little time ...

Innovative choreographer Jack Cole is finally getting his due. Long neglected in most discussions of dance on film, Cole introduced radically modern ideas and forms to a sphere often treated as merely decorative. He also lent distinction to the careers of stars such as Marilyn Monroe, Rita Hayworth, Betty Grable and Mitzi Gaynor. Cole came to Hollywood from the world of nightclubs and Broadway.

Jack Cole

Mitzi Gaynor

As dance critic Debra Levine points out, Cole was a preeminent film choreographer when he joined Twentieth Century Fox to coach Monroe and Jane Russell in 1953’s “Gentlemen Prefer Blondes.”

His film portfolio includes remarkable female solos: “Put the Blame on Mame” for Hayworth in the film noir “Gilda” (1946); “No Talent Joe” for Grable in “Meet Me After the Show” (1951) and “Beale Street Blues” for Gaynor in “The I Don’t Care Girl” (1953).

On Saturday, Aug. 4, the UCLA Film & Television Archive is hosting a tribute to Cole. There will be a screening of “The I Don’t Care Girl” and a discussion with Gaynor, Levine and Larry Billman, founder of the Academy of Dance on Film. Directed by Lloyd Bacon, the movie shows Cole’s hyper-stylized choreography to dazzling effect.

The UCLA event precedes Levine’s guest-host appearance on Turner Classic Movies. “Choreography by Jack Cole,” a four-film Cole homage, airs Sept. 10 on TCM.

UCLA’s tribute is at 7:30 p.m. on Saturday, Aug. 4, at the Billy Wilder Theater, 10899 Wilshire Blvd., Los Angeles, CA 90024, 310-206-8013. Tickets are $10 and I hear they are going fast!

‘A Little Prince’ recalls Ford family’s ‘perfect’ Hollywood life

Peter Newton Ford, son of Glenn Ford and Eleanor Powell, grew up among Hollywood royalty. His father rose to stardom with Rita Hayworth in the film noir classic “Gilda” (made by Charles Vidor in 1946, the year after Peter was born). His mother was known as “The Queen of Tap” at MGM.

Life in the Fords’ Beverly Hills mansion looked picture perfect. But, says Peter Ford, much was hidden behind the warm, charming, cheerful exterior and, as his parents’ marriage dissolved, he found himself divided between fantasy and reality. The documentary “A Little Prince” explores his family relationships against the backdrop of Hollywood’s Golden Age, with its mighty magic and sweeping illusions.

“A Little Prince” by Alexander Roman, plays June 29 to July 5 at Laemmle Noho 7, 5240 Lankershim Blvd., North Hollywood, CA, 91601. There will be a Q&A with Ford and Roman on Saturday, June 30, and Sunday, July 1.

Synesthesia show: art through the lens of a set designer

Still from the 1924 Marcel L’Herbier film “L’inhumaine.” Robert Mallet-Stevens designed the sets.

M+B Gallery in Los Angeles presents Synesthesia, a group exhibition, from June 29 to Aug. 31.

As a starting point, the show uses concepts from Robert Mallet-Stevens (1886-1945), one of France’s most influential architects and one of cinema’s first set designers. “In cinema, the set designer must be more of an architect than a painter,” he said.

Synesthesia is created from a set designer’s point of view – assembling furniture, art and objects in an environment that is highly personal but wholly artificial. Daniele Balice, co-founder of the Paris gallery BaliceHertling, and Jay Ezra Nayssan curated the show.

Participating artists include Michael Anastassiades, Henri-Georges Clouzot, Isabelle Cornaro, Jacopo da Valenza, Lucy Dodd, Thomas Dozol, Paul Dupré-Lafon for Hermès, Piero Fornasetti, Guido Gambone, Martino Gamper, Eileen Gray, Hadrien Jacquelet, Lisa Jo, Alex Katz, Allison Katz, Antonio Lopez, Stewart MacDougall, Alexander May, MissoniHome, Carlo Mollino, Paul P., Ico Parisi, Pier Paolo Pasolini, Charlotte Perriand, Gaetano Pesce, Pablo Picasso, Gio Ponti, ROLU and Yves Saint Laurent.

The opening reception is on Friday, June 29, from 6-8 p.m.

M+B Gallery is at 612 N. Almont Drive, Los Angeles, CA, 90069, 310-550-0050.

‘Searching for Sugar Man’ blends music and mystery

The highlight of my week was seeing ‘Searching for Sugar Man,’ a doc about Rodriguez, a Detroit-born singer-songwriter of the ’70s. Virtually unknown in the U.S., he had a huge following in South Africa. But even his foreign fans, young Afrikaners who rebelled against Apartheid, knew very little about this mysterious artist, including whether he lived past the ’70s.

The soundtrack is available July 24; the movie, by Swedish first-time director Malik Bendjelloul, is out in New York and LA on July 27, with more cities to follow. Don’t miss it – it’s an amazing film! (I’ll be running a review closer to the release date.)

Film noir feline stars: The cat in ‘Strange Love of Martha Ivers’

The butler tries to help Martha (Janis Wilson) keep Bundles safe.

More on the most famous kitties in film noir

The Cat in “The Strange Love of Martha Ivers” 1946

Name: Marvin Saperstein

Character Name: Bundles

Bio: As I mentioned in my “Martha Ivers” review, it is Bundles the kitten who, through no fault of his own, sparks the chain of evil events that unfold in this noir melodrama.

The malevolent Mrs. Ivers (Dame Judith Anderson), a bit of a fat cat herself, hates anything that her niece Martha (Janis Wilson) loves, in particular, the girl’s treasured feline. But it’s one thing to say you hate a cat, it’s another thing to give it a brutal beating with your cane. Some would argue that Martha’s badass retaliation against her aunt was exactly what the nasty old lady deserved. (You could also argue that Martha, as an adult, symbolizes the corruption and decadence of capitalism, but that’s another post.)

Australian-born Dame Judith Anderson was a Broadway and film actress. She had a particular gift for playing snide, snooty matrons.

Anyway, back to Bundles, known offscreen as Marvin Saperstein. After his performance in this film, he acquired a reputation as a bruiser and found that working as a bodyguard for an alley cat named Lucky Malone, who controlled the downtown LA feline nightclub circuit, paid far better than working as an actor. The Sap, as he was called, had more to offer than just brawn, however. With a keen eye for spotting singers and other talent, and sharp negotiation skills, it wasn’t long before he became an agent and protector for a number of A-list feline entertainers.

When Malone was discovered dead in his Beverly Hills home (his oft-meowed claim to having 19 lives apparently false), the Sap took over the business and acquired great power by not only managing careers, but also by overseeing the covert gambling that took place in the clubs.

Saperstein never married, though he had a string of relationships with noted cat celebs such as Lola Pawsingham, Clawdette Montgomery and Fluffy Taylor. He prided himself on his Brentwood mansion as well as his enormous collection of diamond-studded collars and imported catbeds. Though he was dogged by the police, no charges ever stuck, likely because of The Sap’s close friendship with Tiger Brown, pet cat of L.A’s driven and often drunk police chief, Bill Parker. Saperstein died in Palm Springs in 1976.

Ernst Haas exhibition opens Saturday in Santa Monica

Route 66, Albuquerque, New Mexico, 1969

The Duncan Miller Gallery presents the first major Los Angeles showing of the works of Ernst Haas in “Classics,” a selection of his well-known prints along with more experimental color work he never exhibited.

Haas (1921-1986) was one of the 20th century’s most prolific and published photographers. Born in Vienna, Haas began as a painter before switching to photography. In 1953, he moved to New York and Life magazine published his 24-page color-photo essay on New York City. The Museum of Modern Art in New York gave Haas a one-man show in 1962; it was the museum’s first color-photography show, according to the Duncan Miller Gallery.

The opening reception is on Saturday, June 23, from 6-9 p.m. The show runs through Aug. 31.

The Duncan Miller Gallery is at 2525 Michigan Ave, Unit A7, Santa Monica, CA 90404, 310-453-1111. Hours: Wednesday-Saturday, 11-6.

Slices of Los Angeles and a screening of ‘Mildred Pierce’

Photo from www.bettycrocker.com

On Saturday, June 16, at 2 p.m. the American Cinematheque will host a presentation on Los Angeles restaurants of the 1920s-1940s and screen the film-noir classic “Mildred Pierce.”

To kick off the event, Veronica Gelakoska, author of “Pig ’n Whistle,” and writer/preservationist Chris Nichols will give an illustrated talk on the Pig ’n Whistle, Melody Lane, Hody’s and other retro spots.

“Mildred Pierce” stars Joan Crawford as a divorced mother who waits tables and bakes pies to support her demanding daughter’s desires. She becomes a successful Los Angeles restaurateur and trouble ensues.

In honor of Ms. Pierce, slices of fruit pies will be sold at the screening. Fast forwarding to LA restaurants of today, I recently reviewed Gordon Ramsay at the London West Hollywood and thought I would share the review. Mmm.