‘Compulsion’ opens in New York, Los Angeles, London

1:18pm, Silverlake Drive, 2012, by Alex Prager

Los Angeles native Alex Prager is a self-taught artist whose stunning, subversive images are steeped in cinematic references. Influenced by silent, surrealist and noir films as well as the photography of Weegee and Enrique Metinides, Prager started shooting after seeing William Eggleston’s work in a show at the Getty Museum.

Through the construction of scenes inspired by media tragedies, her new collection investigates the complexity of observation in a society inundated by compulsive spectators. The exhibition will also feature Prager’s new short film, “La Petite Mort,” starring French actress Judith Godrèche.

“Compulsion” opens this weekend at the Yancey Richardson Gallery in New York and M + B Gallery in Los Angeles; it opens later this month at the Michael Hoppen Gallery in London.

For more of Prager’s story, read Leslie Camhi’s interview in Vogue.

Free stuff from FNB: Win ‘Criss Cross’ and a TCM mug!

This month, I am giving away a copy of Robert Siodmak’s “Criss Cross” from 1949. Quintessential noir viewing, the film stars Burt Lancaster, Yvonne De Carlo and Dan Duryea. “Criss Cross” plays on the big screen next Thursday in Hollywood at the TCM Classic Movies Festival, kicking off a fine slate of noir films.

So, in addition to the movie, I am adding a souvenir TCM coffee mug as part of the prize. (More on the TCM fest’s noir lineup and a review of “Criss Cross” in upcoming posts.)

(Marya is the winner of the March reader giveaway, a Criterion DVD set of “Anatomy of a Murder.” Congrats to Marya and thanks to all who entered!)

To enter the April giveaway, just leave a comment on any FNB post from April 1-30. Or, if you are on twitter, retweet one of my giveaway posts. We welcome comments and RTs, but please remember that, for the purposes of the giveaway, there is one entry per person, not per comment/RT.

The winner will be randomly selected at the end of the month and announced in early May. Include your email address in your comment so that I can notify you if you win. Your email will not be shared. Good luck!

Valentino opens doors on Rodeo Drive in Beverly Hills

Onlookers and paparazzi filled a stretch of Rodeo Drive Tuesday night for the opening of the Valentino store in Beverly Hills. Guests included Kim Kardashian, Rose McGowan, Molly Sims, Rachel Zoe, Minka Kelly and several other celebrities.

To celebrate the Valentino design house’s 50th anniversary, creative directors Maria Grazia Chiuri and Pierpaolo Piccioli have launched a collection of ready-to-wear and accessories in animal prints, such as giraffe, jaguar, tiger, cheetah, zebra and panther.

A few of my shots from the event … you can see pix of the full celeb roster at HuffPost/Style.

Valentino is one of the world’s best known fashion brands.

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Actor Jason Lewis poses with fans on Rodeo Drive Tuesday night.

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Guests mingle at the party for the Valentino store opening.

COL•COA French film fest in Los Angeles announces lineup

François Truffart announces the COL•COA program.

With five Oscar wins by “The Artist” still fresh in people’s minds, Los Angeles is gearing up to welcome more French film talent to the city. The City of Lights, City of Angels (COL•COA) festival, a week of French film premieres in Hollywood, runs April 16-23.

Last night, at the French Consulate in Beverly Hills, the Franco-American Cultural Fund announced the program for the fest, now in its 16th year.

“The historic triumph of ‘The Artist’ reflects a remarkable year for French cinema and we are glad to introduce a broad spectrum of new films to Hollywood that reveal both the quality and diversity of recent French productions,” said François Truffart, COL•COA executive director and artistic director.

COL•COA will feature 34 features and 21 shorts. It opens on Monday, April 16, with the North American premiere of “My Way” (“CloClo”), a biopic about French pop star Claude François, directed and co-written by Florent-Emilio Siri. The film, already a critical and commercial success in France, stars Jérémie Renier (“The Kid with a Bike”).

Closing the fest on Sunday, April 22, is a hit comedy called “The Intouchables” by writing/directing team Olivier Nakache and Eric Toledano. François Cluzet and Omar Sy star.

Of course I am most looking forward to the film noir series on Friday, April 20, which will include “Paris By Night” (“Une nuit”) by Philippe Lefebvre; Olivier Marchal’s “A Gang Story” (“Les Lyonnais”) and “Early One Morning” (“De bon matin”) from Jean-Marc Moutout.

More on the fest later; meanwhile be sure to check the COL•COA site and snag your tickets – they will sell quickly!

Top 10 lines from Billy Wilder’s classic ‘Sunset Blvd.’

Gloria Swanson and Billy Wilder

“Sunset Blvd,” Billy Wilder’s scathing portrait of Hollywood, stars Gloria Swanson as silent film star Norma Desmond seeking a return to the screen, William Holden as her younger boyfriend, a writer named Joe Gillis, and Erich von Stroheim as her faithful servant and eyeshadow adjuster. Wisconsin-born Nancy Olson plays the smart, fresh-faced girl who wants to be a screenwriter and who falls in love with Joe.

Here are my favorite lines from this terrific film, widely considered to be one of the greatest American movies ever made. It was written by Wilder, Charles Brackett and D.M. Marshman Jr.

1. Norma Desmond: “I am big. It’s the pictures that got small.”

2. Joe Gillis: “Audiences don’t know somebody sits down and writes a picture; they think the actors make it up as they go along.”

3. Salesman at a men’s clothing store, to Joe: “As long as the lady is paying for it, why not take the Vicuna?”

4. Norma Desmond: “No-one ever leaves a star. That’s what makes one a star.”

5. Joe Gillis referring to Norma’s script: “Sometimes it’s interesting to see just how bad bad writing can be. This promised to go the limit.”

6. Cecil B. DeMille (playing himself): “You know, a dozen press agents working overtime can do terrible things to the human spirit.”

7. Norma Desmond: “Without me, there wouldn’t be any Paramount studio.”

Nancy Olson and William Holden

8. Nancy Olson as Joe’s friend Betty: “Where have you been keeping yourself? I’ve got the most wonderful news for you.”
Joe: “I haven’t been keeping myself at all, lately.”

9. Joe Gillis talking about his car: “I kept it across the street in a parking lot behind Rudy’s shoeshine parlor. Rudy never asked any questions about your finances – he’d just look at your heels and know the score.

10. Norma Desmond: “All right Mr. DeMille, I’m ready for my close-up.”

Retro sipping for St. Pat’s from the Stark Bar and FNB

Green beer not doing it for you? Take inspiration from Ray’s and Stark Bar (at Lacma, 5905 Wilshire Blvd.) in Los Angeles and FNB to add vintage flair to your St. Patrick’s festivities. Here are two recipes from the bar’s extensive cocktail list and one of my own.

The Ginger Rogers hits the spot.

The Ginger Rogers
2 ounces gin
1 ounce ginger syrup (theirs is housemade with fresh ginger)
¾ ounce fresh lime juice
Top with ice and ginger ale; garnish with fresh mint

The Cheap Detective
2 ounces St. Germain elderflower liqueur
1 ounce Cynar
¾ ounce Campari
Garnish with grapefruit peel

From my kitchen: The LA Fizzy Blonde
8 ounces ginger ale (don’t use diet)
2 ounces fresh grapefruit juice
1 teaspoon fresh lime juice
Mix soda and juice. Add ice and lime slice to garnish

Free stuff from FNB: Win ‘Anatomy of a Murder’

Lee Remick plays Laura Manion. Remick’s co-stars (Stewart, Scott and O’Connell) earned Oscars noms for their performances.

This month, I am giving away a copy of Criterion’s rerelease of the Otto Preminger classic “Anatomy of a Murder” from 1959. Nominated for seven Oscars, including best picture, the film features a Duke Ellington score and an all-star cast: James Stewart, Lee Remick, Ben Gazzara, Arthur O’Connell, Eve Arden and George C. Scott.

In what is arguably the best role of his career, Stewart plays a small-town Michigan lawyer defending an army lieutenant (Gazzara) accused of murdering a tavern owner, who he believes raped his wife (Remick).

As Criterion puts it: “This gripping envelope-pusher, the most popular film by Hollywood provocateur Otto Preminger, was groundbreaking for the frankness of its discussion of sex – but more than anything else it is a striking depiction of the power of words.” This two-DVD special edition is packed with special features.

(Syd is the winner of the February reader giveaway, a DVD copy of “Notorious.” Congrats to Syd and thanks to all who entered!)

To enter the March giveaway, just leave a comment on any FNB post from March 1-31. We welcome comments, but please remember that, for the purposes of the giveaway, there is one entry per person, not per comment.

The winner will be randomly selected at the end of the month and announced in early April. Include your email address in your comment so that I can notify you if you win. Your email will not be shared. Good luck!

On the radar: Revel in noir at the Aero, Egyptian and Lacma

There’s so much to see on the big screen this month in Los Angeles. See you at the movies!
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AT THE AERO THEATRE
1328 Montana Ave., Santa Monica; shows start at 7:30 p.m.
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Saturday, March 3: A sneak preview of the thriller/horror flick “Silent House” starring Elizabeth Olsen followed by 2003’s “Open Water,” a nerve-wracking story about a couple left stranded in the Caribbean after a day of scuba diving. There will be a discussion between films with co-directors Chris Kentis and Laura Lau.

Farley Granger and Robert Walker in "Strangers on a Train"

Wednesday, March 7: One of my all-time favorite Alfred Hitchcock films, “Strangers on a Train” (1951) stars Robert Walker as a psycho playboy intent on committing a double murder with tennis champ Farley Granger. As Hitch shows us in the opening shot, never underestimate the importance of footwear.
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Wednesday, March 14: Another Hitchcock work that draws on his lifelong love of trains, “The Lady Vanishes” from 1938 takes place on a train en route from the fictional country of Bandrika to Western Europe. Passengers Margaret Lockwood and Michael Redgrave attempt to find a mysterious Miss Froy.
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Thursday, March 15: In “The Night of the Hunter” (1955, Charles Laughton) the great Robert Mitchum gives an unforgettable performance as a warped preacher with a knack for seducing trusting souls. Also starring Shelley Winters and Lillian Gish. At 6:30 p.m., author Preston Neal Jones will sign his book “Heaven and Hell to Play With: The Filming of The Night of the Hunter.”
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Laura Harring, director David Lynch and Naomi Watts of "Mulholland Dr."

Saturday, March 24: A top-notch double feature, starting with Billy Wilder’s masterpiece noir and scathing look at Hollywood, “Sunset Boulevard” (1950). William Holden, Gloria Swanson and Erich von Stroheim star in this must-see flick. Next up: Naomi Watts and Laura Harring lead the cast of David Lynch’s mesmerizing and surreal portrait of Tinseltown’s latent evil, “Mulholland Dr.” (2001).

Wednesday, March 28: Yet more Hitchcock! Joel McCrea plays reporter Johnny Jones, who encounters intrigue and danger in “Foreign Correspondent” from 1940.
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Thursday March 29: “The Manchurian Candidate,” starring Frank Sinatra, Laurence Harvey and Angela Lansbury, celebrates its 50th anniversary. Superb direction from John Frankenheimer.
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AT THE EGYPTIAN THEATRE
6712 Hollywood Blvd., Hollywood; shows start at 7:30 p.m. with multiple showings and one matinee for “The Snowtown Murders”

Alida Valli and Joseph Cotten in "The Third Man."

Wednesday, March 7: Carol Reed directs Joseph Cotten, Alida Valli and Orson Welles in 1949’s “The Third Man,” one of the finest thrillers ever made. Don’t miss it!
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Wednesday, March 14: Orson Welles as auteur and actor. In “The Lady from Shanghai” (1948), an outstanding noir, he co-stars with Rita Hayworth and Everett Sloane. In “Confidential Report” (1955), Welles plays a dad in deep denial about his murky past.
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Thursday, March 15-Sunday, March 18: Justin Kurzel makes his directorial debut with “The Snowtown Murders,” the story of Australia’s most infamous serial killer. Plays at 7:30 p.m. and 9:30 p.m. Thursday-Saturday and 4 p.m. Sunday.
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Wednesday, March 28: More brilliance from Orson Welles in this knock-out double feature. “Touch of Evil,” a tale of corruption, is widely considered the last great work of classic film noir. Its unbeatable cast: Welles, Charlton Heston, Janet Leigh and Mercedes McCambridge. “The Trial” (based on Franz Kafka’s novel about paranoia and conspiracy) also boasts amazing talent: Welles, Anthony Perkins, Jeanne Moreau, Romy Schneider and Akim Tamiroff.
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AT LACMA
5905 Wilshire Blvd.
At 7:30 p.m. Thursday, March 8: As a tribute to Wim Wenders, “The American Friend,” a stand-out neo noir from 1977 is paired with 1982’s “Chambre 666,” a doc with A-list directors about the future of filmmaking.
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At 7:30 p.m. Friday, March 9: Film noir is partly rooted in French Poetic Realism and these two examples of the genre make an excellent night at the movies. To start: Cinematic genius and master of poetic realism Jean Renoir’s “The Rules of the Game” (1939) followed by Jacques Becker’s “Casque D’Or” (1952). Becker assisted Renoir on “Rules” and “Grand Illusion” (1937).
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Fred MacMurray and Barbara Stanwyck star in Billy Wilder's "Double Indemnity" from 1944.

At 1 p.m. Tuesday, March 13: Billy Wilder’s “Double Indemnity” (1944) is one of the defining films of the noir genre. Femme fatale Barbara Stanwyck lures insurance agent Fred MacMurray into committing murder for a big payoff. Edward G. Robinson shines as MacMurray’s boss and friend.
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At noon Saturday, March 24: Christian Marclay’s “The Clock,” winner of the Golden Lion at last year’s Venice Biennale, is a 24-hour single-channel montage constructed from thousands of moments of cinema and television history depicting the passage of time. Begins at noon Saturday and ends at noon on Sunday, March 25.
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At 1 p.m. Tuesday, March 27: Another prime example of classic film noir, Robert Siodmak’s “The Killers” put Ava Gardner and Burt Lancaster on the track to super-stardom.
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Dita dazzles; France celebrates Oscar wins for ‘The Artist’

Dita Von Teese wore a Jenny Packham gown on Sunday.

So it looks like I lied re: my fave Oscars dress. My No. 1 is now the vintage-inspired gown by Jenny Packham that Dita Von Teese wore to the Elton John AIDS Foundation viewing party.

Also my treasured friend Veronique in Paris wrote me this cute and over-the-moon email about France’s five Oscar wins: “Cocorico! On est les champions, On est les champions … Sorry! I’m sounding like a bragging football supporter full of beer.

“But well 5 Oscars … I just can’t help some chauvinistic boasting tonight! A special mention to the handsome Jean Dujardin who is one of the most suave and entertaining French actor at the moment.”

Read more about France’s wins for “The Artist” from Reuters and the New York Times.

AP photo of Dita Von Teese

On the radar: ‘The Artist’ and inspiration; ‘Chinatown’ kicks off series; long gone Hollywood; Crawford goes a little crazy

Gwyneth Paltrow looked super chic at the Oscars.

Now that “The Artist” won the Oscar for Best Picture, I’m hoping more people will feel inspired to explore black and white movies, especially Billy Wilder b&w flicks. (“The Artist” director Michel Hazanavicius thanked Wilder three times last night!) Overall, I enjoyed the show, though there were few surprises. Billy Crystal is always good and my favorite look of the night was Gwyneth Paltrow in the Tom Ford cape gown.

Meanwhile, this looks set to be a busy week for cinephiles. Starting tonight: Unique LA presents a monthly movie series at the Echoplex. First up is “Chinatown.” Doors open at 7 p.m. Movies start at 8 p.m. Tickets are $10 pre-sale online only.
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At 7 p.m. this Wednesday (Feb. 29) at Larry Edmunds Bookshop in Hollywood, author Gregory Paul Williams will sign the paperback edition of his book “The Story of Hollywood.” He’ll also present a program on long gone Hollywood, featuring favorite haunts and spots of legend and lore.
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At 7:30 p.m. this Wednesday (Feb. 29), the Million Dollar Theater and the UCLA Film & Television Archive co-present a double feature from director William Castle: 1964’s “Strait-Jacket,” starring Joan Crawford as a hatchet-wielding maniac released from prison after serving time for killing her husband, and “Homicidal” (1961) about a small-town killing and its effects on members of a family vying for an inheritance.
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Gwyneth Paltrow photo: Heather Ikei / © A.M.P.A.S.
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