With thanks and sadness, let’s raise a glass to Kate

I think of my spiritual ancestors as Joan Crawford, Barbara Stanwyck, Gloria Grahame, Lauren Bacall, Joan Bennett and Bette Davis. Their hard-won independence, their juicy scandals and their irrepressible willful streaks on and off screen laid the groundwork for all of us femmes fatales to call the shots, own our dramas and embrace the concept of high maintenance. Put simply: to be a bitch.

Kate's, at the corner of Wilshire and Doheny, opened in 1987.

Kate’s, at the corner of Wilshire and Doheny, opened in 1987.

That said, there are many other vixens, vamps and troublemakers who, though far less famous, are equally inspirational. One of these role models by extension, as it were, was Kate Mantilini, the namesake of a terrific Beverly Hills restaurant that is closing its doors on June 14, after 27 years in business.

Owner Marilyn Lewis says a recent rent increase prompted her decision.

Kate Mantilini was a feisty woman of the 1940s and the mistress of Marilyn Lewis’ uncle. (Marilyn and her late husband Harry Lewis were also the founders of the enormously popular Hamburger Hamlet chain. Harry died last June; he was 93.)

Says Marilyn Lewis: “My mother wouldn’t let me speak to her, nobody would allow us to mention her name, but she was a very strong woman and I wanted to name my restaurant after her.”

Actors, writers and execs gathered at the famous Beverly Hills restaurant.

Actors, writers and industry execs gathered at the famous Beverly Hills restaurant.

Of Irish and Italian descent, the unconventional Kate reportedly liked to do things her way and one of the things she really liked to do was to run businesses. The restaurant’s boxing mural is a nod to the fact that Kate worked in the male-dominated field of fight promotion.

The first time I went to the famous spot was for a late-night supper after seeing a Murnau double-bill at Lacma’s Bing Theater. I was visiting from Chicago and my friend Mickey Cottrell, a veteran film publicist and top-notch performer, suggested to the little group that had gathered that we nosh there. “Let’s head to Kate’s,” he said, as if Kate were a friend who had missed the movie but invited us to her place afterward.

Kate’s hasn’t changed much since it opened in 1987. Outside, by night, a blazing red neon sign pierces the inky blackness of Wilshire Boulevard. The building sits on the northwest corner of Wilshire and Doheny. Kate’s is walking distance from the Academy; the Weinstein Company is across the street.

Michael Mann shot a scene of "Heat" here.

Michael Mann shot a scene of “Heat” here.

Inside, the long, narrow room pulses with talk and laughter; fleet servers fly by, their crisp white aprons flash against the muted gray and cream walls. Glasses, plates and silverware clink and chime.

“I’m definitely moving here,” I thought to myself as we walked in that night, now long-ago. “This is so much cooler than Chicago.”

Mickey had a regular booth he liked; he suggested I order the sand dabs. Delightful. Our party was delightful too. Boisterous, funny, quick to argue fine points about films.

The kind and generous writer/producer/filmmaker Myron Meisel picked up the tab. Critic Michael Wilmington pointed out that the character actor Wallace Shawn was sitting in another booth.

Kate’s has always been popular with industry folk; celebs like Billy Wilder and Mel Brooks were regulars. Writers too, such as Susan Orlean and Tere Tereba, stopped by. Michael Mann, a master of filming Los Angeles by night, chose Kate’s for the scene in “Heat” (1995) when Al Pacino and Robert De Niro talk about their lives as cop and criminal.

Heat posterHarry Lewis was in the entertainment business before he and his wife became restaurateurs. As a contract player with Warner Bros. in the ’40s; Harry had a part in the film-noir classics “Key Largo” starring Humphrey Bogart and Edward G. Robinson as well as in “Gun Crazy” with John Dall and Peggy Cummins.

My friends and I may have been the last ones out that night and I’ve been back many times since. (I moved to Los Angeles in November of 2007.) I celebrated birthdays there, met girlfriends for drinks, marked triumphs big and small, stopped by for a slice of lemon ice-box pie and a cup of coffee after seeing a film at the Wilshire screening room.

It’s tough to think that after next Saturday I won’t be able to go to Kate’s anymore. I was a fan of the food (in particular the Cannes Film Festival salad and the split-pea soup) and the building and the vibe. By vibe I mean a sort of magic that’s absent from lots of trendy new restaurants.

Dessert is a must! Shown: the candy bar ice cream pie.

Dessert is a must! Shown: the candy bar ice cream pie.

You felt when you went to Kate’s that you were truly “in” – you might rub shoulders with Hollywood power brokers – but more importantly you were in for really good food and a really good time. Every time you went.

The Beverly Hills Cultural Heritage Commission is considering the property for landmark status to protect the building in the event that new owners decide to remodel. The land parcel (9101, 9107 and 9111 Wilshire Blvd.) features the work of architects Pereira and Luckman, Maxwell Starkman and Thom Mayne.

I hope that happens. But in the meantime, I’m going to raise a glass to Kate – who liked a good fight – and to the strong women she inspired – who doubtless have healthy appetites and never skip dessert.

Eva Marie Saint to appear at 60th anniversary screening of ‘On the Waterfront’

Marlon Brando and Eva Marie Saint both won Oscars for their work.

Marlon Brando and Eva Marie Saint both won Oscars for their work.

Think of “On the Waterfront” (1954, Elia Kazan) and, most times, Marlon Brando springs to mind, with his famous line: “I coulda been a contender.”

But don’t forget that behind the great Brando was a great blonde: Eva Marie Saint, who won the Best Supporting Actress Oscar for her work. Her award was one eight wins for the film: Picture, Director, Editing, Actor, Writing (Story and Screenplay), B&W Art Direction/Set Decoration, B&W Cinematography.

With its expressionistic black and white visuals, and its story of crime in the lower depths of New York City, “On the Waterfront” more than qualifies as film noir.

On Friday, June 6, the Academy and the Los Angeles County Museum of Art (Lacma) is presenting a special screening in honor of the film’s 60th birthday at the museum’s Bing Theater. Eva Marie Saint will make an appearance. We at FNB are looking forward to hearing about her memories of making the flick.

Film noir genius Fritz Lang’s work honored at the Aero

Fritz Lang was said to be tough on actors. You vere expecting othervise?

Fritz Lang was said to be tough on actors. You vere expecting othervise?

“In my opinion, there were only two directors in Hollywood who made films without regard to box-office success: Erich Von Stroheim and myself.”

So said Vienna-born noir master Fritz Lang (1890-1976). Lang came to Tinseltown in the mid-1930s after training as a painter, making landmark movies (“Metropolis” and “M”), and turning down an offer from Joseph Goebbels to head the German film studio UFA. In sunny California, the purveyor of angst and gloom snagged a contract with MGM.

For the next two decades, Lang, who was often difficult and demanding, directed many films with A-list stars for various studios, but never earned the acclaim he deserved. His career fizzled and he headed to Germany in the late 1950s to direct his final three movies, none of which resurrected his professional standing.

His work, however, was championed by Cahiers du cinéma critics and is highly regarded today. You can indulge in your own little Lang-fest starting Thursday when the Aero Theatre in Santa Monica starts Master of Darkness: The Testaments of Fritz Lang with “Scarlet Street” and “Hangmen Also Die!”

This delightfully dark series is must-see viewing for fans of film noir!

Remembering Marilyn Monroe

Marilyn was born June 1, 1926, Los Angeles.

Marilyn was born June 1, 1926, Los Angeles.

Happy birthday, Marilyn Monroe! She would have been 88 today.

Read more about her and see more photos here.

Honoring heroes on Memorial Day

James Stewart in uniformWWII vet Jimmy Stewart rose to the rank of Brigadier General. A heartfelt thank-you and deepest appreciation to all our servicemen/women and veterans for their sacrifices.

Get your swag on, help a great cause: Peace Over Violence

CGFGC flyer

The FNB team is looking forward to the sixth annual Canned Goods For Good Causes charity ball & swag bag party, to be held on Monday, June 2, from 7 p.m. to 1a.m. at Hollywood’s King King, 6555 Hollywood Blvd., 90028. All proceeds from the event will benefit Peace Over Violence, a violence-prevention and crisis-intervention organization.

Emcee Travis Clark (Tiny Odd Conversations) will host an evening of comedy and music featuring comedians Sara Schaefer (MTV’s “Nikki and Sara Live”), Sam Comroe (Conan), Drew Lynch, Andie Bolt, and Lianna Carrera, and musicians Mary Morales, EVMB (LA Beatbox Champion), Rachel B, and DJ Little Kinky.

Greenbar Collective will sponsor one and a half hours of free signature cocktails from 7 to 8:30 p.m.

Raffle prizes have been provided by: Actor’s Key, Adult Swim, Artist Nidhi Chanani, Artist Tess Fowler, Drongo Photo, Eufuria Pet Salon, Final Draft, Focus Features, Foxy and Fierce Bootcamp, Kneady Bakery, LGO Restaurants, Lola and Roxy’s Salon, Not a Burger Stand, Outback Steakhouse, Paramount Pictures, Perfect Touch Massage, Pickwick Lanes, Playroom Ent Games, and Push Pull Cardio.

Guests will take away gift bags with swag provided by Adult Swim, Craftsman Soap, Criterion, D3P, Disney, Focus Features, Inno Games, Inventing Daily, Ketchup Entertainment, Lionsgate, Little Orbit, Lok-A-Bolt, Miramax, Paramount, Shout! Factory, Universal Home Entertainment, Warner Bros., and more.

Just put on something swanky, bring a $25 donation for Peace Over Violence and you’re bound to have fun. To RSVP, email: cannedgoodsforgood@gmail.com. See you there!

Remembering Malik Bendjelloul: Rest in peace

Rodriguez and Malik Bendjelloul at the Los Angeles press conference in 2012.

Rodriguez and Malik Bendjelloul at the Los Angeles press conference in 2012.

We at FNB were sad to learn of Malik Bendjelloul’s death on Tuesday in Stockholm. Mr. Bendjelloul won the Oscar in 2013 for his film “Searching for Sugar Man,” a deeply touching documentary about Detroit-born 1970s singer Sixto Rodriguez, who fell into obscurity in the U.S. but was revered in South Africa and elsewhere.

“I thought I’d never heard a better story in my life and would never hear a better story,” said Mr. Bendjelloul in 2012. “It was like somebody had written this wonderful script, except it was a real story. And it was a blessed story; every time I lifted a stone there was another gold coin. It was so much richer than I ever could have imagined.”

We met Mr. Bendjelloul and Rodriguez when they were in Los Angeles to promote the film in July 2012.  At that time, Mr. Bendjelloul was brimming with enthusiasm for the film and Rodriguez’s revived career. He struck us as an uncommonly talented filmmaker and we remember his intelligence, humility and low-key humor.

Our thoughts and prayers are with Mr. Bendjelloul’s family.

Film Noir fills screens in Palm Springs, at Lacma and on TCM

Noiristas are spoiled for choices yet again! The Arthur Lyons Film Noir Festival starts Thursday night, May 8, in Palm Springs and runs through Sunday, May 11.

Deadline USA posterThe lineup includes: “The Window” (1949, Ted Tetzlaff), “Roadblock” (1951, Harold Daniels), “Too Late for Tears (1949, Byron Haskin), “Sunset Blvd.” (1950, Billy Wilder), “Sorry, Wrong Number” (1948, Anatole Litvak), “Southside 1-1000” (1950, Boris Ingster), “Storm Warning,” (1951, Stuart Heisler), “The Killers” (1946, Robert Siodmak), “Shack Out on 101” (1955, Edward Dein), “Deadline U.S.A.(1952, Richard Brooks), “Laura” (1944, Otto Preminger) and “Out of the Past” (1947, Jacques Tourneur).

Special guests are: Barbara Hale, Nancy Olson, author Victoria Wilson, Susie Lancaster, author Kate Buford, Terry Moore and Susan Andrews.

Orson Welles and his oeuvre are honored at Lacma.

Orson Welles and his oeuvre are honored at Lacma.

Meanwhile, at the Los Angeles County Museum of Art, the stellar “Essential Orson Wellesseries continues until June 7.

Says the museum: “Screen legend Orson Welles was a pioneering filmmaker and raffish public personality best known for the remarkable achievement of ‘Citizen Kane.’  Focusing on Welles as a trailblazing director, this series, presented by the Academy, showcases nine of the 12 films completed in his lifetime (several of them screening in brand-new restorations).

And, as always, Turner Classic Movies (TCM) offers plenty of retro darkness and debauchery. TCM times are Eastern Standard and (Pacific Standard).

Murder, My Sweet
(1944, Edward Dmytryk). Saturday, May 10, 11:30 p.m. (8:30 p.m.), With Dick Powell, Claire Trevor, Mike Mazurki and Anne Shirley.

Sunday, May 11

2 p.m. (11 a.m.): “Mildred Pierce” (1945, Michael Curtiz). With Joan Crawford, Jack Carson, Ann Blyth, Zachary Scott and Eve Arden.

Tuesday, May 13

11:30 a.m. (8:30 a.m.): “Pitfall” (1948, Andre De Toth). With Dick Powell, Lizabeth Scott, Raymond Burr and Jane Wyatt.

Paris Photo Los Angeles opens; restored ‘Alphaville’ arrives; free screening of ‘The Narrow Margin’ at Egyptian Theatre

Besides the superb French films showing at the COLCOA Film Festival (see item below), there is much going on in Los Angeles this weekend.

Paris Photo Los Angeles runs Friday, April 25, to Sunday, April 27, at Paramount Pictures Studios. The fair will host more than 80 leading art galleries and book dealers from 18 countries. They will set up on Paramount’s famed soundstages and New York street backlot.

Detail of two bullet holes in car window, 1942 ©LAPD /Image courtesy of fototeka

Detail of two bullet holes in car window, 1942 ©LAPD /Image courtesy of fototeka

New this year is UNEDITED!, a program that unveils unedited or rarely seen photographic material. The program draws from the LAPD Photo Archives, a curated selection of unseen police photographs.

Alphaville posterThe new digital restoration of “Alphaville,” Jean-Luc Godard’s science fiction/film noir thriller, opens Friday, April 25, at the Nuart Theatre in Los Angeles. Set in a dystopian future controlled by a computer known as Alpha 60, “Alphaville” stars Eddie Constantine as Lemmy Caution, the quintessential hard-boiled ’50s private eye. Anna Karina (Godard’s wife and muse, and star of “Band of Outsiders” and “Pierrot Le Fou”) plays the femme fatale.

“Alphaville” is showing at the Nuart Theatre, 11272 Santa Monica Blvd., Los Angeles, through Thursday, May 1.

A tribute to writer-producer Stanley Rubin (Oct. 8, 1917 – March 2, 2014) will kick off at 2 p.m. Saturday, April 26, at the American Cinematheque’s Egyptian Theatre. A FREE screening of “The Narrow Margin will follow at 3 p.m. with an introduction by Alan K. Rode. Marie Windsor is an unforgettable bad girl in this must-see low-budget noir.

And more big-screen news: Click here to read about LA’s downtown theaters regaining their allure.   

Enchanté: COLCOA film fest hits LA

coloca-logo5[1]The City of Lights City of Angels (COLCOA) Film Festival, a fixture in Los Angeles for 18 years, shows new and classic French films at the Directors Guild in Los Angeles. The fest runs April 21-28.

This year’s fest offers another prime schedule of French motion pictures. “We Love You, You Bastard” (or Salaud, on t’aime, to be French about it), the latest film by Claude Lelouch, is the opening night film.

Lelouch, a New Wave writer-director (auteur), won the Palme d’Or at the Cannes Film Festival with his 1966 “A Man and a Woman” (or Une Homme et un Femme). He conquered movie art-houses and has been active ever since. This new Lelouch movie stars two venerable French rock stars Johnny Hallyday and Eddy Mitchell in a story about sowing wild oats and dealing with the results.

What is showing to tempt noiristas? Well, 1960’s “Purple Noon,” one of the great film noirs, starring Alain Delon and Maurice Ronet. This gripping thriller was directed by Rene Clement, based on a novel by the American expatriate crime writer Patricia Highsmith and dazzlingly shot by Henri Decae. It screens at 1:45 p.m., on Tuesday, April 22.

our-heroes[1]le-dernier-diamant[1]Then, there’s the highly popular Film Noir Series on Friday, April 25. Can’t wait! At 5:30 p.m. is the North American premiere of “Our Heroes Died Tonight” (Nos héros sont morts ce soir). Set in early-1960s Paris, this minimalist noir, written and directed by David Perrault, plunges into the seedy world of semi-professional wrestling where backroom dives smell of Gauloise and sweat, and the fights are all rigged.

At 7:30 p.m. Eric Barbier’s heist thriller “The Last Diamond,” makes its international premiere. Starring Bérénice Bejo and Yvan Attal, the film follows in the tradition of Jean-Pierre Melville’s “Le Cercle Rouge.” The carrot for the crooks is mighty pretty: the fabled Florentine, a 137-carat yellow diamond last seen in 1918, which has resurfaced and is up for sale in an exclusive Antwerp auction house.

amourcrime[1]

venus-in-fur[1]The Larriere Brothers’ crime drama “Love is a Perfect Crime” plays at 10:30 p.m. Adapted from “Incidences by Philippe Dijan, whose other novels inspired the films “Betty Blue and “Unforgivable,” this chilly thriller revolves around a University of Lausanne student who goes missing. The top suspect? Her professor and lover, natch. “Love is a Perfect Crime” stars Mathieu Almaric, Karin Viard, Maiwenn and Sara Forrestier. This is the film’s West Coast premiere.

The late, great François Truffaut will be honored Friday.

The late, great François Truffaut will be honored Friday.

There are two other enticing events on Friday. The massively influential but too mortal (and gone too soon) French auteur François Truffaut will be remembered at a 1:30 p.m. screening of his very personal 1977 tale of a femme-chaser “The Man Who Loved Women,” starring Charles Denner as the Man, and Brigitte Fossey, Nathalie Baye and the supremely piquant Leslie Caron as some of the Women. There will be a talk on Truffaut after the movie.

At 8:30 p.m., that brilliant and elusive Polish-American-French cineaste, Roman Polanski will be represented by his latest film “Venus in Fur,” based on the masochistic novel by Leopold Sacher-Masoch and David Ives’ play from it. “Venus” stars Polanski’s muse-mate Emmanuelle Seigner as an extroverted actress who shows up after hours to read for a part.

la-belle-et-la-bete[1]the-murderer-lives[1]On Saturday, at 11 a.m., the one French film of this year’s glittering menu that you absolutely don’t want to miss: the 1946 fairytale treasure “Beauty and the Beast,” written and directed by Jean Cocteau. Josette Day stars as Belle and Jean Marais as Bete. The film was photographed (lustrously) by Henri Alekan, scored (hauntingly) by Georges Auric and technically advised by Rene Clement, who we suspect, had more to do with the film‘s impeccable, fantastic technique than just advice.

If fairytales aren’t your tray of gateaux, there’s a brutally real alternative: “Abuse of Weakness,” a fierce semi-autobiographical drama by auteur Catherine Breillat about her own fleecing by a famous conman. “Abuse” screens at 7:45 p.m.

“We Love You, You Bastard” rescreens at 1:15 p.m.

Sunday brings the closing session of the competition, but there are two more major French classics on Monday, April 28. At 2 p.m., you can see the great director Patrice Chereau’s 1994 adaptation of Alexandre Dumas’ breathless historical novel “Queen Margot” (La Reine Margot). Chereau’s film stars Isabelle Adjani and Daniel Auteuil.

And at 3:30 p.m. there’s another film noir, a black-and-white ‘40s classic: “The Murderer Lives at No. 21” by Henri-Georges Clouzot. French stage and screen actor Louis Jouvet stars as the relentless detective Wens.

The COLCOA screenings are at the Directors Guild, 7920 Sunset Blvd., Los Angeles, 90046.