‘Barracuda’ heroine puts justice in the driver’s seat

Christy Oldham

When Christy Oldham moved to LA from Louisiana 13 years ago to be an actress, she hadn’t heard of the Screen Actors Guild. “I was very green and naïve,” she says. “But I realized that if I was going to be successful, I would have to write, produce and make my own movies rather than waiting on someone to call me in for an audition.”

Fast-forward to today and she has three movies under her belt. Her latest, “Barracuda,” is a dark comedy about a phone-sex operator’s mission to bring sex offenders to justice, tracking them in her 1966 Plymouth Barracuda. Oldham wrote, produced and stars in the work; Shane Woodson directs.

“My film exposes the secret and often criminal sexual lives of normal, professional men,” Oldham says. According to the National Center for Missing and Exploited Children, there are nearly 740,000 registered sex offenders in the U.S.

“Barracuda” is part of the 2011 Burbank International Film Festival’s women’s night. It screens Thursday, Sept. 15th, at 10:30 p.m. at the AMC 16 movie theater in Burbank. “Barracuda” was nominated for three awards at the Burbank festival including Best Picture and received an Excellence in Filmmaking award at the 2011 Las Vegas International Film Festival.

“Barracuda” taps veteran editor Robert Pergament, cinematographer Marco Naylor and composer Emir Isilay. The film was shot in California, Kentucky, Louisiana and Indiana; the cast includes 200 actors.

Oldham and Woodson previously collaborated on the 2007 screwball comedy “Cain and Abel,” starring rap icon Flavor Flav. Oldham plans to make her directorial debut with a film that she wrote about the victims of a serial killer in southern Louisiana.

The Burbank film fest is open to the public. You can buy tickets to “Barracuda” ($13.41 each, including service fee) here.

“Barracuda” will also screen in New Orleans and Mississippi film festivals in October. For more information on the film and the filmmakers, go to: barracudamovie.tv and mercuryrisingfilms.com.

‘The Chanteuse and the Devil’s Muse’ combines music, dance and drama to explore infamous Black Dahlia case

Elizabeth Short

“She’s a very noirish character,” says musician/writer/director David J. Haskins of Elizabeth Short, better known as the Black Dahlia. “She’s a blank screen on which anything can be projected. She was a mysterious, glamorous, romantic figure.”

Indeed, very little is known for sure about the brief life of the Black Dahlia, who in death attained the fame she dreamt of in Hollywood. Some say she was an aspiring actress; other accounts portray her as a confused drifter.

Her brutally mutilated and severed body was found, artfully arranged, in a vacant lot near Crenshaw Boulevard and West 39th Street in Los Angeles on Jan. 15, 1947; she was 22. The mystery of her death remains unsolved, though there have been numerous theories and potential suspects.

David J. Haskins

Haskins (formerly a member of the band Bauhaus as well as Love and Rockets) puts forward his contention about the murder in his new play, “The Chanteuse and the Devil’s Muse.” It opens Thursday at the Bootleg Theater in Los Angeles.

The production uses three interwoven devices: a dramatization; live music from Haskins, Ego Plum and Ysanne Spevack; and butoh dance by acclaimed performer Vangeline. The songs were originally composed for Ramzi Abed’s 2007 film about the Dahlia called “The Devil’s Muse.”

Madi Comfort's boyfriend lived in this house on Franklin Avenue in Hollywood.

Central to the story is real-life singer Madi Comfort (played by Daniele Watts with Tracey Leigh making special appearances throughout the run). Comfort’s lover was a suspect in the Black Dahlia case. Douglas Dickerman plays cop Frank Jemison, a straight arrow determined to get to the bottom of the slaying.

A longtime fan of German Expressionism and film noir, particularly its “very clipped, smart, sharp dialogue with fast delivery,” Haskins names “The Maltese Falcon” as one of his favorite movies and Orson Welles as a much-admired director.

“The Chanteuse and the Devil’s Muse” runs Thursdays through Saturdays at 7:30 p.m. through Oct. 1 at the Bootleg, 2220 Beverly Blvd., 213-389-3856; tickets are $25, $18 for students and seniors. Run time is just under one hour.

Stay tuned – I’ll be posting video snippets from my recent interview with Haskins.

Free stuff: Win ‘The Killing’ and try Cafecito Organico

The winner of the August reader giveaway has been selected. For September, I am giving away a copy of Criterion’s new DVD release of “The Killing” (1956).

Stanley Kubrick directed this racetrack-robbery noir; pulp novelist Jim Thompson wrote dialogue. The impressive cast includes Sterling Hayden, Coleen Gray, Timothy Carey, Elisha Cook Jr., and Marie Windsor.

Criterion’s new digital restoration features a slew of great special features, namely:

*a new interview with producer James B. Harris

*excerpted interviews with Hayden from the French TV series “Cinéma cinemas”

*a new interview with author Robert Polito about Thompson

*restored high-definition digital transfer of Kubrick’s 1955 noir feature “Killer’s Kiss” and a video appreciation of “Killer’s Kiss” featuring film critic Geoffrey O’Brien

*trailers and a booklet featuring an essay by film historian Haden Guest as well as a reprinted interview with Windsor.

Additionally, I am giving away a T-shirt and 12-ounce bag of Espresso Clandestino from Los Angeles-based Cafecito Organico. Their coffee is sustainably grown and locally roasted, which results in a rich, robust flavor that’s also uncommonly smooth – there’s no trace of bitterness or harsh acidity.

Perfecting summing up how many noir denizens feel first thing in the morning, Cafecito’s motto is Café o Muerte (Coffee or Death).

To enter the September giveaway, just leave a comment on any FNB post from Sept. 1-30. The winner will be randomly selected at the end of the month and announced in early October. Include your email address in your comment so that I can notify you if you win. Your email will not be shared. Good luck!

On the radar: Books, a blogathon and a bash; Billy Wilder, Bono and Bogart

Must-read material: The Fatal Gift of Beauty: The Trials of Amanda Knox by Nina Burleigh. Knox and Raffaele Sollecito were convicted of murdering Meredith Kercher, a British student who died on Nov. 1, 2007 in Perugia, Italy. They are appealing their convictions. As Burleigh told Elle magazine: “She was investigated, arrested and convicted as part of a massive multicultural misunderstanding, abetted by her own quirky personality. … Your identity as a young, attractive woman does not belong to you.”

Diana Vreeland

Diana Vreeland invented the concept of a fashion editor, putting her indelible stamp on Harper’s Bazaar from 1936 to 1962 and Vogue, where she became editor-in-chief, from 1962 to 1971. In the September issue of Harper’s, Lisa Immordino Vreeland conjures a portrait of the famous sartorial icon. When Carmel Snow offered her the Harper’s job, Diana Vreeland replied, “But Miss Snow, except for my little lingerie shop in London, I’ve never worked. I’ve never been in an office in my life. I’ve never dressed until lunch.”

Lauren Bacall

Immordino Vreeland’s book, Diana Vreeland: The Eye Has to Travel will be published on Oct. 1. (I hope the copy editor for the book was better than the one at Harper’s; there were two glaring errors in that piece.) It was during Vreeland’s tenure at Harper’s that Lauren Bacall’s career was launched after appearing on the cover, shot by Louise Dahl-Wolfe, in March 1943.

Happy birthday, Mr. Ray: In honor of director Nicholas Ray, who would have turned 100 on Aug. 7, Tony Dayoub of Cinema Viewfinder is running a Nicholas Ray Blogathon Sept. 5-8. Ray directed many noirs (“They Live By Night,” “Knock on Any Door,” “A Woman’s Secret,” “In a Lonely Place,” “Born to be Bad,” “On Dangerous Ground,” “Bigger Than Life”). I look forward to submitting my piece and reading other contributors’ work.

Go on, it’s good for the economy: FNO returns on Sept. 8! Fashion’s Night Out is a global initiative created in 2009 as a partnership between American Vogue, the Council of Fashion Designers of America, NYC & Company, and the City of New York to celebrate fashion, restore consumer confidence, boost the industry’s economy, and put the fun back in shopping. Find out what’s going on in your city and check out the merch.

With love from USPS: Billy Wilder gets his own stamp starting next year. Wilder won Academy Awards for directing “The Lost Weekend” and “The Apartment.”

Other Wilder favorites include: “Some Like It Hot,” “Double Indemnity,” “Sunset Blvd.,” “Ace in the Hole,” “Irma la Douce,” “Sabrina” and “The Seven Year Itch.” Part of a four-stamp Great Film Directors series, Frank Capra, John Ford and John Huston will also be honored.

Doc takes center stage: The Toronto International Film Festival runs from Sept. 8-18. The opening night film is “From the Sky Down,” Academy Award-winning filmmaker Davis Guggenheim’s documentary about Irish band U2. It’s the first time in 36 years that the festival will open with a documentary.

Bogey as Spade and Marlowe: The American Cinematheque’s Aero Theatre in Santa Monica is showing on Sept. 8: “The Maltese Falcon” (1941, John Huston) and “The Big Sleep” (1946, Howard Hawks). Double crossing, dubious motives and dry wit abound.

Diana Vreeland photo by Horst P. Horst

‘Scarface,’ now almost 30, gears up for Blu-ray release

Al Pacino does his best to rock a Keith Richards vibe at the event.

Stars Al Pacino, Steven Bauer, Robert Loggia, F. Murray Abraham and producer Martin Bregman celebrated on Tuesday the upcoming Blu-ray release of “Scarface” at the Belasco Theater in Los Angeles with a cast reunion, Q&A and party. The 1983 film, directed Brian De Palma and written by Oliver Stone, releases on Blu-ray on Sept. 6.

The evening also included a special performance by Ludacris, cuisine by Border Grill chefs Mary Sue Milliken and Susan Feniger, as well as a special “Scarface”-themed Ciroc lounge.

The limited edition Blu-ray comes with a digital copy of the film and a DVD of the original 1932 “Scarface,” directed by Howard Hawks and starring Paul Muni. There are also many special features including a documentary, deleted scenes and background/making-of info.

You can see footage of Tuesday’s event here. The Q&A is available on Livestream for the next week here. And for details on the fan artwork contest using classic Tony Montana images, visit the Facebook page.

Al Pacino image from GettyImages for Universal Studios Home Entertainment

‘Recipe For Murder’ tells true story of Australian lethal ladies

From left: Aimee Horne, Anne Looby and Betty Tougher portray the real-life killers.

Sydney, Australia’s inner suburbs in the early 1950s seem an unlikely setting for a slew of cold-blooded murders. But many families were plagued by poverty, poor housing conditions and an epidemic of rats (there are stories of parents sleeping with their children to protect them from being bitten during the night). And, for several women, apparently unhinged or at the end of their ropes, eliminating a tiresome man or two topped their to-do lists, along with cooking, cleaning and killing rats of the rodent variety.

Thallium – the active ingredient in rat poison – was the perfect murder weapon. It had no color, taste or smell and it produced a gradual demise rather than sudden death. Police estimate that hundreds of people died from thallium poisoning in the late 1940s and early 1950s. Banned in the rest of the Australia and most of the developed world, thallium was freely available in Sydney.

Writer/director Sonia Bible

“Recipe For Murder,” a film by first-time writer/director Sonia Bible, tells the true story of three notorious poisoners: Yvonne Fletcher, Caroline Grills and Veronica Monty.

Yvonne Fletcher, 29, a blonde good-time girl, was accused of killing two husbands. Next to be charged was Caroline Grills, 63. She was accused of being a serial killer after four members of her family died in suspicious circumstances.

The most scandalous and sensational case was Veronica Monty. The 45-year-old was charged with attempted murder of her son-in-law, Bobby Lulham, a famous Australian Rugby league player, with whom she had an affair.

“Recipe For Murder” follows the detectives cracking the cases, the media and the women standing trial. The film combines archival footage, film-noir re-enactments, interviews with witnesses, a musical score from “Animal Kingdom” composer Antony Partos and narration by Dan Wyllie. There are no plans for a theatrical release, but you can buy the film here.

I recently chatted with Sonia via email.

Film Noir Blonde: It’s such a fascinating but little-known story. I understand you became aware of it in 2003 at an exhibition in Sydney called “Crimes of Passion.” What was it that drew you to these murders?
Sonia Bible: The story of the thallium murders was a piece of history that I didn’t know about, and it was also a period that I was fascinated with visually. With three real-life femme fatales, film noir was the perfect fit for the stylized re-enactments.

Anne Looby as Veronica Monty and James Anderson as her son-in-law Bobby Lulham, a famous Rugby player.

FNB: At what point did you decide to make a film and profile the three women?
SB: Yvonne Fletcher, Caroline Grills and Veronica Monty were the three most notorious women of all those charged with murder by thallium. Their stories also intersected in interesting ways at different points in time.

FNB: Thallium poison, though it caused a painful death, was a silent, surreptitious killer. Was there something about that approach that you think appealed to women?
SB: The use of poison is traditionally a woman’s crime. It’s been around for a long time and is more often used by women. Men tend to use their fists or weapons to commit violence against others.

FNB: At the same time, thallium’s “advantages” may have held equal appeal for men, correct?
SB: No. Men used thallium in Sydney at the time to poison others or themselves, but women committed the majority of thallium poisoning cases. Women didn’t have any other means to control their circumstances at the time. Also the control of rats was considered a domestic duty to be carried out by women. Women had more understanding of the poison and ready access to it.

Grant Garland and Matthew Dale play the cops.

FNB: Toward the end of the film, we learn that the police investigators working on these cases (Don Fergusson and Fred Krahe) turned out to be corrupt. Do you think they may have targeted women perpetrators as a way of making an example of them or even to advance their own careers?
SB: No. Although Krahe and Fergusson went on to be corrupt, their investigations into the thallium murders were thorough and professional. Yvonne Fletcher was the first person to be charged with murder by thallium and it wasn’t because she was a woman. It was because she murdered two husbands in a very cruel way. Nobody even knew that thallium was dangerous to humans until Krahe and Fergusson cracked that case.

Matthew Dale, Aimee Horne and Grant Garland

FNB: What was your biggest obstacle or challenge in making the film?
SB: The biggest challenge in making the film was the production budget. We were doing period drama on a documentary budget, and always looking for creative solutions and innovative ways of getting around the budget constraints.

FNB: What kind of reception have you had from the film, both at home and elsewhere?
SB: “Recipe For Murder” achieved really high ratings when it screened on TV in Australia. It also got rave reviews in the Australian media leading up to the screening. The film won a Silver Hugo award at Chicago International Film Festival 2011 as well. We were all thrilled with the enthusiastic response.

Official trailer for ‘Texas Killing Fields’ now on YouTube

Inspired by true events, Texas Killing Fields” follows Detective Souder (Sam Worthington), a homicide detective in a small Texas town, and his partner, transplanted New York City cop Detective Heigh (Jeffrey Dean Morgan) as they track a sadistic serial killer dumping his victims’ mutilated bodies in a nearby marsh locals call “The Killing Fields.”

Before long, the killer changes the game and begins hunting the detectives, teasing them with possible clues at the crime scenes. When a local girl Anne (Chloë Grace Moretz) goes missing, the detectives find themselves racing against time to catch the killer and save the girl’s life.

Directed by Ami Canaan Mann, produced by Michael Mann and Michael Jaffe, “Texas Killing Fields” also stars Jessica Chastain (“Tree of Life,” “The Help”), Jason Clarke (“Public Enemies”) and Stephen Graham (“Pirates of the Caribbean: On Stranger Tides”).

The movie opens Oct. 14.

My quest for the perfect eyeliner: Part Six

Dior Style Liner is long lasting.

“Take a cue from the femmes fatales of the red carpet and play the card of pure seduction,” says the ad copy for Dior’s Style Liner Intense Liquid Eyeliner, $33.

OK, I’ll bite. It’s hard-core research for my job, no? Happily I was not disappointed. The product is easy to apply, dries quickly and leaves you with a supple line that lasts for several hours.

As promised, Style Liner is an intense black so use sparingly for daytime – just a bit of liner will likely be enough. (When you pull the brush from the tube, the brush is fully loaded and you probably won’t need all that.) I’m a bit puzzled as to why it doesn’t come in at least one other color. From time to time, I like to spice up my playing cards with a rich cobalt or forest green.

Product Source: From my own collection. I did not receive product or compensation from Dior.

Noir images dominate Los Angeles photo show

“I Love L.A.,” featuring 50 works from 42 photographers, opened Saturday at the Duncan Miller Gallery, 10959 Venice Blvd., in Los Angeles. Not surprisingly, there were many captivating noir images. The show runs through Sept. 17. To see more photos online, visit the “I Love L.A.” Photography Exhibition Facebook page.

Santa Monica Pier Parking Lot, 2004, Patricia Williams

 

Polyamorous Love, 2008, by Michael Grecco

 

Gallery owner Daniel Miller (far right) mingles on Saturday night.

 

Guests voted for their top three photos.

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FNF’s Eddie Muller talks to Dennis Lehane this Thursday

Dennis Lehane

The Film Noir Foundation and the Litquake Literary Festival will present “Dennis Lehane in Conversation with Eddie Muller” Thursday, Aug. 18, at San Francisco’s Herbst Theatre. Novelist Lehane’s body of work includes “Mystic River,” “Gone, Baby, Gone,” and “Shutter Island,” all adapted into excellent neo-noir films.

Litquake invites FNF members to attend the event at a special discount — $10 for advance tickets, a $2 savings. Enter the code “FRIENDS” in the City Box Office ticket system. For event details and more on the festival, visit the Litquake site.