Film noir titles to release on DVD from TCM and Universal, thriller marathon in January

Turner Classic Movies (TCM) and Universal Studios Home Entertainment (USHE) are releasing a terrific three-disc DVD collection on Dec 3. Dark Crimes: Film Noir Thrillers highlights the work of legendary mystery writers Dashiell Hammett, Cornell Woolrich and Raymond Chandler.

The set includes:

“The Glass Key” (1942, Stuart Heisler) – Brian Donlevy, Alan Ladd and Veronica Lake star in this stylish remake of the 1935 film based on Hammett’s popular novel. The story follows a ruthless political boss and his personal adviser, who become entangled in a web of organized crime and murder involving the daughter of a rising gubernatorial candidate. Akira Kurosawa once claimed this film to be the inspiration for his classic samurai flick “Yojimbo” (1961).

“Phantom Lady” (1944, Robert Siodmak) – A man arrested for murdering his wife is unable to produce his only alibi – a mysterious woman he met in a bar – in this adaptation of a Woolrich novel. Now his loyal secretary must go undercover to locate her. Ella Raines, Franchot Tone, Thomas Gomez, Alan Curtis and Elisha Cook Jr. star. A sexually charged drumming scene was reportedly dubbed by legendary musician Buddy Rich.

“The Blue Dahlia” (1946, George Marshall) – A WWII veteran who has been accused of killing his unfaithful wife races against time to find the real murderer with the help of a sympathetic stranger. Alan Ladd, Veronica Lake, William Bendix, Howard da Silva and Hugh Beaumont star in this John Houseman production. Chandler’s original screenplay earned an Oscar nomination.

Veronica Lake and Howard da Silva share a tense moment in “The Blue Dahlia.”

Dark Crimes: Film Noir Thrillers will be available from TCM’s online store, which is currently accepting pre-orders. TCM will show “The Glass Key” on Dec. 2.

Additionally, on Jan. 17, author and noir expert Eddie Muller will join TCM host Robert Osborne to present five memorable thrillers from the 1950s. The lineup is set to feature “Cry Danger” (1951, Robert Parrish) with Dick Powell and Rhonda Fleming; “99 River Street” (1953, Phil Karlson) starring John Payne and Evelyn Keyes; “Tomorrow is Another Day” (1951, Felix E. Feist) with Ruth Roman and Steve Cochran; “The Breaking Point” (1950, Michael Curtiz), starring John Garfield and Patricia Neal; and “The Prowler” (1951, Joseph Losey), starring Van Heflin and Evelyn Keyes.

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Noir City: Chicago starts Friday at the Music Box

Chicago’s Music Box Theatre will host the third annual Noir City: Chicago starting Friday and running through Aug. 18. Presented by the Film Noir Foundation, the fest features 16 noirs, all in 35 mm.

Opening night is a double feature: 1947’s “High Wall” by director Curtis Bernhardt, starring Robert Taylor and Audrey Totter, and “The Dark Mirror” (1946, Robert Siodmak) in which Olivia de Havilland plays twin sisters, one of whom is deranged. Shocker!

Other highlights include: “Sorry Wrong Number” (1948, Anatole Litvak) and “The Glass Key” (1942, Stuart Heisler) as well as lesser-known films like “Loophole” (1954, Harold D. Schuster) and “The Hunted” (1948, Jack Bernhard), recently saved from extinction by the foundation.

Authors Alan K. Rode and Foster Hirsch will be on hand to discuss these classic noirs.

Having worked at the Chicago Tribune for many years before heading to the West Coast, I always remember this sage editing adage: “If your mother says she loves you, you’d better doublecheck.”

Speaking of checking, you can see the full Noir City: Chicago 3 lineup here.

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