Film Noir File: Ryan seethes with rage in ‘Crossfire’

Crossfire posterLast Friday was my birthday and I have been having much fun celebrating. As a result, the Film Noir File has just one entry!

Tuesday, Sept. 23, 12:15 a.m. (9:15 p.m.) on TCM:

Crossfire” (1947, Edward Dmytryk). Based on the novel “The Brisk Foxhole” by the young Richard Brooks and directed by Edward Dmytryk in what many feel was the best period of his career, this is the famous postwar thriller about an anti-Semitic murder and the returning American soldiers mixed up in it. Co-starring Robert Mitchum, Robert Ryan, Robert Young, Sam Levene and Gloria Grahame.

The film is moody and gripping, filled with noirish dark-hued scenes, and the entire cast is excellent. But the performance everyone tends to remember best is Bob Ryan as the anti-Jewish soldier – a role that Ryan packs with seething, psychopathic hatred and rage. Incidentally, in Brooks’ original novel, the murder victim was not Jewish, but homosexual.

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The Film Noir File: ‘To Have and Have Not’ and ‘Key Largo’ showcase noir’s top couple

By Film Noir Blonde and Mike Wilmington

The Film Noir File is FNB’s guide to classic film noir, neo-noir and pre-noir on Turner Classic Movies (TCM). All movies below are from the schedule of TCM, which broadcasts them uncut and uninterrupted. The times are Eastern Standard and (Pacific Standard).

Pick of the Week: Two Classics from The Couple: Bogart and Bacall
Bogie. Bacall. The Ultimate Film Noir Couple. At their best. Need we say more?

Director Howard Hawks discovered Lauren Bacall and cast her opposite Humphrey Bogart. They fell for each other while making “To Have and Have Not.” She was 19.

Director Howard Hawks discovered Lauren Bacall and cast her opposite Humphrey Bogart. They fell for each other while making “To Have and Have Not.” She was 19.

To Have and Have Not” (1944, Howard Hawks). Tuesday, Sept. 16, 10 a.m. (7 a.m.).

With Humphrey Bogart, Lauren Bacall, Walter Brennan, Hoagy Carmichael and Marcel Dalio.

Key Largo” (1948, John Huston). Tuesday, Sept. 16, 12 p.m. (9 a.m.). With Bogart, Bacall, Edward G. Robinson, Lionel Barrymore, Claire Trevor and Thomas Gomez.

Friday, Sept. 12

Miriam Hopkins

Miriam Hopkins

12:45 a.m. (9:45 p.m.): “Dr. Jekyll and Mr. Hyde” (1931, Rouben Mamoulian). Fredric March won the Best Actor Oscar for playing those exemplars of good and evil, alter-egos Jekyll and Hyde, in this dark and very stylish version of Robert Louis Stevenson’s classic about the potion that turns a good man into the devil incarnate. With Miriam Hopkins as Hyde’s sad, beauteous victim Champagne Ivy. For Jerry Lewis’ daffy version of this tale, try his 1963 comedy classic “The Nutty Professor,” on TCM this week at 8 p.m. (5 p.m.), Thursday, Sept. 11.

2:30 a.m. (11:30 p.m.): “The Story of Temple Drake” (1933, Stephen Roberts). A grim pre-Code adaptation of William Faulkner’s shocker about Deep South rape, scandal and murder, and the weird relationship between rich girl Temple (Miriam Hopkins) and the brutal gangster whom Faulkner called Popeye (Jack La Rue).

3:45 a.m. (12:45 a.m.): “Freaks” (1932, Tod Browning). With Olga Baclanova, Wallace Ford and Harry Earles. Reviewed in FNB on April 18, 2013.

Saturday, Sept. 13

Catherine Deneuve stars in "Belle."

Catherine Deneuve stars in “Belle.”

8 p.m. (5 p.m. ,.): “Belle de Jour” (1967, Luis Bunuel). With Catherine Deneuve, Michel Piccoli, Genevieve Page, Jean Sorel, Francisco Rabal and Pierre Clementi. (In French, with subtitles.) Reviewed in FNB on March 8, 2013.

Monday, Sept. 15

8 p.m. (5 p.m.): “Background to Danger” (1943, Raoul Walsh). With George Raft, Brenda Marshall, Sydney Greenstreet and Pater Lorre. Reviewed in FNB on Jan. 9, 2013.

Tuesday, Sept. 16

A shot from Bacall's modeling days.

A shot from Lauren Bacall’s modeling days.

6 a.m. (3 a.m.): “The Confidential Agent” (1945, Herman Shumlin). Classy but somewhat turgid adaptation of one of Graham Greene’s spy “entertainments.“ With Charles Boyer, Lauren Bacall and Peter Lorre.

10 a.m. (7 a.m.): “To Have and Have Not” (1944, Howard Hawks). See Pick of the Week.

12 p.m. (9 a.m.): “Key Largo” (1948, John Huston). See Pick of the Week.

Wednesday, Sept. 17

6:30 a.m. (3:30 a.m.): “The Asphalt Jungle” (1950, John Huston). With Sterling Hayden, Jean Hagen, Sam Jaffe, Louis Calhern and Marilyn Monroe.

10 a.m. (7 a.m.): “The Narrow Margin” (1952, Richard Fleischer). With Charles McGraw, Marie Windsor and Jacqueline White.

Blue Gardenia poster11:30 a.m. (8:30 a.m.): “The Blue Gardenia” (1953, Fritz Lang). With Anne Baxter, Richard Conte, Nat “King” Cole and Raymond Burr. Reviewed in FNB on May 22, 2013.

1 p.m. (10 a.m.): “Suddenly” (1954, Lewis Allen). With Frank Sinatra, Sterling Hayden, James Gleason and Nancy Gates. Reviewed in FNB on April 23, 2012.

4 p.m. (1 p.m.): “I Died a Thousand Times” (1955, Stuart Heisler.) With Jack Palance, Shelley Winters, Lee Marvin and Lon Chaney, Jr. Reviewed in FNB on Jan. 15, 2013.

6 p.m. (3 p.m.): “Al Capone” (1959, Richard Wilson). With Rod Steiger, Martin Balsam and Fay Spain. Reviewed in FNB on May 29, 2014.

8 p.m. (5 p.m.): “Billy Budd” (1962, Peter Ustinov). With Terence Stamp, Robert Ryan, Ustinov and Melvyn Douglas. Reviewed in FNB on Nov. 10, 2013.

10 p.m. (7 p.m.): “The Great Sinner” (1949, Robert Siodmak). Dark costume drama with eye-catching Siodmak direction and an extraordinary cast: Gregory Peck, Ava Gardner, Melvyn Douglas, Walter Huston, Ethel Barrymore, Agnes Moorehead and Frank Morgan. In novelist Christopher Isherwood’s offbeat screenplay, Peck is obsessed with Gardner and with gambling.

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The Film Noir File: Huston works the angles in ‘Asphalt Jungle’

By Film Noir Blonde and Mike Wilmington

The Film Noir File is FNB’s guide to classic film noir, neo-noir and pre-noir on Turner Classic Movies (TCM). All movies below are from the schedule of TCM, which broadcasts them uncut and uninterrupted. The times are Eastern Standard and (Pacific Standard).

Pick of the Week

“The Asphalt Jungle” was a hugely influential thriller.

“The Asphalt Jungle” was a hugely influential thriller.

The Asphalt Jungle” (1950, John Huston). Thursday, Sept. 4, 10:30 p.m. (7:30 p.m.). With Sterling Hayden, Sam Jaffe, Jean Hagen, Marilyn Monroe, Louis Calhern. Reviewed here.

Thursday, Sept. 4

4:30 p.m. (1:30 p.m.): “Obsession” (1949, Edward Dmytryk). A classic noir helmer, Edward Dmytryk, puts a classic noir ham, Robert Newton, through the agonies of mad marital jealousy in this lesser known, but gripping thriller. With Sally Gray and Naunton Wayne.

6:15 p.m. (3:15 p.m.): “The Sniper” (1952, Edward Dmytryk). Arthur Franz plays a psychologically disturbed sniper, picking off his victims from the upper stories, in this solid Dmytryk noir thriller.

Shirley MacLaine plays the party girl who loves Frank Sinatra to pieces.

Shirley MacLaine plays the party girl who loves Frank Sinatra to pieces.

8 p.m. (5 p.m.): “Some Came Running” (Vincente Minnelli, 1958). Frank Sinatra plays a World War II returning vet and prospective novelist who goes back to his bourgeois Midwestern hometown. There he becomes involved with his stuffy, square relatives and neighbors (Arthur Kennedy and Martha Hyer), a charming gambler (Dean Martin), and an adoring party girl (Shirley MacLaine) who loves him to pieces. One of the great underrated American ‘50s movies, it’s as good as any of Douglas Sirk’s romantic melodramas. In some ways, this picture is just as much a classic as “From Here to Eternity.” And, if Shirley, as Ginny, doesn’t make you cry, you have no heart. From James Jones’ novel (as was “Eternity.”)

10:30 p.m. (7:30 p.m.): “The Asphalt Jungle” (1950, John Huston). See Pick of the Week

Friday, Sept. 5

12:15 p.m. (9:15 a.m.): “Safe in Hell” (1931, William Wellman), With Dorothy Mackaill and Donald Cook. Reviewed in FNB on May 6, 2013.

Saturday, Sept. 6

Caged poster4:15 a.m. (1:15 a.m.): “Caged” (1950, John Cromwell). With Eleanor Parker, Agnes Moorehead and Hope Emerson. Reviewed in FNB on July 13, 2012.

Sunday, Sept. 7

12 p.m. (9 a.m.): “And Then There Were None” (1945, Rene Clair). With Barry Fitzgerald, Walter Huston, Judith Anderson and Louis Hayward. Reviewed in FNB on March 5, 2014.

Tuesday, Sept. 9

8 p.m. (5 p.m.): “The Stranger” (1946, Orson Welles). Orson Welles plays a mad post-World War II fascist who’s hidden himself in a peaceful New England city. He‘s about to marry Loretta Young and is being pursued by a relentless cop, Edward G. Robinson. Welles’ most conventional thriller was also his most popular with audiences. It’s no “Touch of Evil,” but it still plays well.

11:45 p.m. (8:45 p.m.): “The Pawnbroker” (1964, Sidney Lumet). With Rod Steiger, Geraldine Fitzgerald, Brock Peters and Juano Hernandez. Reviewed in FNB on June 28, 2014.

Wednesday, Sept. 10

2:30 p.m. (11:30 a.m.): “They Made Me a Fugitive” (1947, Alberto Cavalcanti). From Cavalcanti, the director of the classic French documentary “Rien que les Heures,“ this is a good British noir, in the Carol Reed vein. Trevor Howard is an embittered escaped con, wrongly convicted of murder, who breaks out and goes after the real killer. With Sally Gray.

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The Film Noir File: ‘I Wake Up Screaming’ is a sleeper gem that won’t make you snooze

By Film Noir Blonde and Mike Wilmington

The Film Noir File is FNB’s guide to classic film noir, neo-noir and pre-noir on Turner Classic Movies (TCM). All movies below are from the schedule of TCM, which broadcasts them uncut and uninterrupted. The times are Eastern Standard and (Pacific Standard).

Pick of the Week

Playing as part of Betty Grable Day.

Playing as part of Betty Grable Day.

I Wake Up Screaming” (1941, H. Bruce Humberstone). Saturday, Aug. 30. 11:45 p.m. (8:45 p.m.).

In the Neglected Works of Noir department, “I Wake Up Screaming” is just crying out for attention.

Director H. Bruce Humberstone made a fun and taut whodunit that’s also a treat for the eyes. The film stars Betty Grable (singer, dancer and pin-up legend in her first dramatic role) and Carole Landis as sisters Jill and Vicky Lynn, who quickly shed their homespun sensibilities as they fend for themselves in New York City. You can read the full review here.

Friday, Aug. 29 (Joseph Cotten Day)

8 a.m. (5 a.m.): “Under Capricorn” (1949, Alfred Hitchcock). With Ingrid Bergman, Joseph Cotten and Margaret Leighton. Reviewed in FNB on Nov. 17, 2012.

11:30 a.m. (8:30 a.m.): “The Steel Trap” (1952, Andrew L. Stone.) With Cotten, Teresa Wright and Jonathan Hale. Reviewed in FNB on Nov. 26, 2012.

3 p.m. (12 p.m.) “Gaslight” (1944, George Cukor). With Bergman, Charles Boyer, Cotten, Dame May Whitty and Angela Lansbury. Reviewed in FNB on Aug. 26, 2012.

6:45 p.m. (3:45 p.m.): “Journey Into Fear” (1942, Norman Foster & Orson Welles (uncredited). As he would later in “The Third Man,” star Joseph Cotten here plays an innocent American coping with corrupt WW2-era Europe. Based on one of novelist Eric Ambler’s brainy, tense, left-wing spy thrillers and set in war-torn Eastern Europe, the movie was faithfully adapted by the Mercury Theater Company, by their fearless leader, Orson Welles and his designated director Norman Foster. (Cotten also co-wrote the screenplay.) Like too much of Welles’ work, the film was mutilated in the cutting, but it still packs a Wellesian punch. With Dolores Del Rio, Agnes Moorehead and Everett Sloane.

12:15 a.m. (9:15 p.m.): “The Third Man” (1949, Carol Reed). With Cotten, Welles, Alida Valli and Trevor Howard.

2:15 a.m. (11:15 p.m.): “Citizen Kane” (1941, Orson Welles). With Welles, Cotten, Sloane, Dorothy Comingore, Moorehead and Ray Collins. Reviewed in FNB on July 13, 2012.

Saturday, Aug. 30 (Betty Grable Day)

11:45 p.m. (8:45 p.m.): “I Wake Up Screaming” (1941, H. Bruce Humberstone). See Pick of the Week above.

Blue Dahlia posterSunday, Aug. 31 (Alan Ladd Day)

12:45 p.m. (9:45 a.m.): “The Glass Key” (1942, Stuart Heisler). With Alan Ladd, Veronica Lake, Brian Donlevy and William Bendix.

10:15 p.m. (7:15 p.m.): “This Gun for Hire” (1942, Frank Tuttle). With Ladd, Lake, Robert Preston and Laird Cregar.

12 a.m. (9 p.m.): “The Blue Dahlia” (1946, George Marshall). With Ladd, Lake and Bendix.

Wednesday, Sept. 3

12 a.m. ( p.m.): “A Woman’s Face” (1941, George Cukor). With Joan Crawford, Melvyn Douglas, Conrad Veidt, Marjorie Main and Henry Daniell. Reviewed in FNB on Jan. 16, 2014.

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The Film Noir File: Dick Powell and Lizabeth Scott fall into a deadly De Toth ‘Pitfall’

TCM goes all Audrey on Friday and we can't wait!

TCM goes all Audrey on Friday and we can’t wait!

By Film Noir Blonde and Mike Wilmington

The Film Noir File is FNB’s guide to classic film noir, neo-noir and pre-noir on Turner Classic Movies (TCM). All movies below are from the schedule of TCM, which broadcasts them uncut and uninterrupted. The times are Eastern Standard and (Pacific Standard).

Pick of the Week

Lizabeth Scott and Dick Powell star in ‘Pitfall.’

Lizabeth Scott and Dick Powell star in ‘Pitfall.’

Pitfall” (1948, André De Toth). 4:15 p.m. (1:15 p.m.) Monday, Aug. 25. De Toth was a sometime master at exposing the swamps of terror that could lie beneath the routines of everyday middleclass life. In this scary little noir quadrangle thriller, Dick Powell, who was one of the better Philip Marlowes, is a sort of lower echelon Walter Neff – an insurance man leading an apparently happy (if slightly dull) life who gets involved with a criminal’s sultry girlfriend (Lizabeth Scott). Jane Wyatt is Powell’s sweet bourgeois wife and Raymond Burr is an evil, lecherous private eye, who pulls all of them onto the dark side. That’s a terrific cast, noir to the hilt, and De Toth’s grim, methodical style is ideal for the cynical, unsparing James Cain-ish subject matter.

This pungent little film noir sleeper is part of Dick Powell Day. (Also showing on the big screen Friday night in Westwood: see previous post.)

Friday, Aug. 22: Audrey Hepburn Day

6 p.m. (3 p.m.): “Wait Until Dark” (1967, Terence Young). With Audrey Hepburn, Alan Arkin, Richard Crenna and Jack Weston. Reviewed in FNB on Dec. 12, 2012.

Saturday, Aug. 23: Ernest Borgnine Day

1 p.m. (10 a.m.): “Bad Day at Black Rock” (1955, John Sturges). With Spencer Tracy, Robert Ryan, Walter Brennan, Ernest Borgnine and Lee Marvin. Reviewed in FNB on April 7, 2012.

Sunday, Aug. 24: Gladys George Day

Maltese Falcon poster10 a.m. (7 a.m.): “Flamingo Road” (1949, Michael Curtiz). With Joan Crawford, Zachary Scott, Sydney Greenstreet and Gladys George. Reviewed in FNB on Oct. 19, 2012.

6 p.m. (3 p.m.): “The Roaring Twenties” (1939, Raoul Walsh). Ace newsman Mark Hellinger produced this punchy chronicle of three World War I vets, (explosive outlaw James Cagney, bad guy Humphrey Bogart and good guy Jeffrey Lynn) and their lives during Prohibition times and the gangster era after the war. It’s engrossing, exciting and salty as the best Walsh, Bogart and Cagney always are. Also with Priscilla Lane and Gladys George.

8 p.m. (5 p.m.). “The Maltese Falcon” (1941, John Huston). With Bogart, Mary Astor, Greenstreet, Peter Lorre, Elisha Cook, Jr., Ward Bond and George.

1:15 a.m. (10:15 a.m.). “He Ran All the Way” (1951, John Berry). With John Garfield, Shelley Winters and Wallace Ford. Reviewed in FNB on Dec. 4, 2013.

Monday, Aug. 25: Dick Powell Day

4:15 p.m. (1:15 p.m.): “Pitfall” (1948, André De Toth). See Pick of the Week.

9:15 p.m. (6:15 p.m.): “Murder, My Sweet” (1944, Edward Dmytryk). With Powell, Claire Trevor, Anne Shirley and Mike Mazurki.

3 a.m. (12 a.m.): “The Tall Target” (1951, Anthony Mann). With Powell, Adolphe Menjou, Paula Raymond and Ruby Dee. Reviewed in FNB on My 6, 2013.

Wednesday, Aug. 27: Edmond O’Brien Day

D.O.A poster8 a.m. (5 a.m.): “The Hitch-Hiker” (1953, Ida Lupino). With Edmond O’Brien, Frank Lovejoy and William Talman. Reviewed in FNB on June 6, 2013.

6 p.m. (3 p.m.): “White Heat” (1949, Raoul Walsh). With Cagey, Virginia Mayo, O’Brien and Steve Cochran. Reviewed in FNB on March 10, 2012.

8 p.m. (5 p.m.): “D.O.A.” (1950, Rudolph Maté). With O’Brien, Pamela Britton and Luther Adler.

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Sam Fuller’s film noir masterpiece plays on the big screen

Pickup on South Street posterSam Fuller’s film noir masterpiece “Pickup on South Street” (see review and TCM listing below) will screen Friday at the Egyptian Theatre in Hollywood. Sam Fuller’s daughter, Samantha Fuller, will introduce the film. His novel, “Brainquake,” recently published by Hard Case Crime, will be available for sale in the lobby.

“Pickup” will pair with 1982’s “White Dog.”

We at FNB celebrate the work of this in-your-face auteur, who unabashedly reveled in the seedy, touted the tacky, glommed onto the grim (not to mention the grime) and did his own thing until the very end. See you there!

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The Film Noir File: Sam Fuller plays rough in noir classic ‘Pickup on South Street’

By Film Noir Blonde and Mike Wilmington

The Film Noir File is FNB’s guide to classic film noir, neo-noir and pre-noir on Turner Classic Movies(TCM). All movies below are from the schedule of TCM, which broadcasts them uncut and uninterrupted. The times are Eastern Standard and (Pacific Standard).

Thelma Ritter and Richard Widmark play tough cookies in "Pickup."

Thelma Ritter and Richard Widmark play tough cookies in “Pickup.”


Pick of the Week

Pickup on South Street” (1953, Samuel Fuller). 10 p.m. (7 p.m.) Wednesday, Aug. 20. From the 50s heyday of vintage film noir and the Red Scare comes a hard-boiled gem. Trust me. They don’t make em any tougher, crazier or edgier than this grimy, sharp classic by Sam Fuller — a prize winner at the 1953 Venice Film Festival, and probably Fuller’s best movie. It takes place in New York City in the lower depths, the dark waterfront, the mean streets. Our “hero” is a ferret-faced natty pickpocket (Richard Widmark), who lives on the docks by night and, by day, strips suckers of their wallets on the subways.

After accidentally lifting some valuable microfilm capable of compromising national security, the thief is suddenly up to his neck with cops, with a rat’s nest of Commie spies run by Richard Kiley, with a beautiful, tight-skirted, loose-moraled streetwalker played by Howard Hughes missus Jean Peters, and with a scrappy fence little old lady huckster named Mo, played by the great character lady Thelma Ritter in her most atypical role.

If you haven’t seen “Pickup on South Street,“ you don’t know noir at its noirest. Or Thelma and Sam at their roughest and toughest.


Friday, Aug. 15 (Faye Dunaway Day)

3:30 p.m. (12:30 p.m.): “Bonnie and Clyde” (1967, Arthur Penn). With Warren Beatty, Faye Dunaway, Gene Hackman, Estelle Parsons, Michael J. Pollard and Gene Wilder. Reviewed in FNB on Feb. 4, 2013.

10 p.m. (7 p.m.): “Three Days of the Condor” (1975, Sydney Pollack). Robert Redford is a U. S. government reader and analyst whose world suddenly opens under his feet one day, when most of his colleagues are killed and he becomes a wanted man on the run. The quintessential paranoid anti-C.I.A. thriller, this is a modern variant on the prototypical Hitchcockian “wrong man suspenser. Based on the novel “Six Days of the Condor,” it’s been copied endlessly, especially by novelist John Grisham. With Faye Dunaway, Max Von Sydow, Cliff Robertson and John Houseman.

Jack Nicholson and Faye Dunaway star in "Chinatown."

Jack Nicholson and Faye Dunaway star in “Chinatown.”

12 a.m. (9 p.m.): “Chinatown” (1974, Roman Polanski). With Jack Nicholson, Faye Dunaway, John Huston and Burt Young. Reviewed in FNB on Dec. 11, 2013.

Saturday, Aug. 16 (Herbert Marshall Day)

6: 15 p.m. (3:15 p.m.): “The Underworld Story” (1950, Cy Endfield). Big city reporter Dan Duryea gets exiled to a small-town murder case, in a plot that reminds you of Billy Wilder’s (later) “Ace in the Hole.” With Herbert Marshall and Gale Storm.

8 p.m. (5 p.m.): “Foreign Correspondent” (1940, Alfred Hitchcock). With Joel McCrea, Laraine Day, George Sanders and Herbert Marshall. Reviewed in FNB on March 26, 2014.

10:15 p.m. (7:15 p.m.): “Murder!” (1930, Alfred Hitchcock). A guilt-stricken juror (Herbert Marshall) tries to clear a convicted murderer whom his vote condemned. One of Hitch’s best and most inventive early talkies. With Miles Mander.

12 a.m. (9 p.m.): “The Letter” (1940, William Wyler). With Bette Davis, Herbert Marshall and Gale Sondergaard. Reviewed in FNB on Sept. 19, 2012. Followed at 1:45 a.m. (10:45 p.m.), by the 1929 film version of “The Letter,” directed by Jean De Lemur, starring the legendary lady of Maugham’s “Rain,” Jeanne Eagels.

Sunday, Aug. 17 (John Hodiak Day)

8 p.m. (5 p.m.): “Lifeboat” (1944, Alfred Hitchcock). With Tallulah Bankhead, John Hodiak, Walter Slezak, William Bendix and Hume Cronyn. Reviewed in FNB on Jan. 16, 2014.

Coolhand Luke poster


Tuesday, Aug. 19 (Paul Newman Day)

1:45 p.m. (10:45 a.m.): “Harper” (1966, Jack Smight). With Paul Newman, Janet Leigh, Lauren Bacall, Julie Harris and Arthur Hell. Reviewed in FNB on June 19, 2014.

5:45 p.m. (2:45 p.m.). “Cool Hand Luke” (1967, Stuart Rosenberg). With Paul Newman, George Kennedy, Strother Martin, Dennis Hopper and Harry Dean Stanton. Reviewed in FNB on March 21, 2014.

Wednesday, Aug. 20 (Thelma Ritter Day)

10 p.m. (7 p.m.). “Pickup on South Street”: See Pick of the Week.

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The Film Noir File: Orson Welles taps Kafka in ‘The Trial’

By Film Noir Blonde and Mike Wilmington

The Film Noir File is FNB’s guide to classic film noir, neo-noir and pre-noir on Turner Classic Movies (TCM). All movies below are from the schedule of TCM, which broadcasts them uncut and uninterrupted. The times are Eastern Standard and (Pacific Standard).

Pick of the Week

The Trial posterThe Trial” (1962, Orson Welles). 8 p.m. (5 p.m.). Friday, Aug. 8.

Director-writer-actor Orson Welles presents an extremely faithful film adaptation of novelist Franz Kafka’s darkly comic and ultimately terrifying tale set in the Byzantine legal system of a nameless European country. A jittery, bumptious, unlikable guy (Anthony Perkins as Joseph K, who may be Kafka’s surrogate and dream self) wakes up one morning to find that he has been plunged into a bad dream: two tough cops invading his bedroom and accusing him of crimes they refuse to detail or explain.

He is persecuted by poker-faced nameless agents and subject to totalitarian police tactics as well as the brutal whims of an utterly arbitrary court. Defended by a sybarite lawyer (played by Welles), who rarely gets out of bed, K seems caught in an inescapable trap, facing inevitable punishment. But K keeps arguing with his accusers, protesting his innocence (which is clearly irrelevant) and trying to make sense out of a situation that is defiantly senseless from first moment to last.

“The Trial” translates Kafka’s masterpiece into eloquent words and icy, shadowy images of dread, underscored by a melancholy Baroque dirge, the Adagio in G by Albinoni. The movie is hampered by its low budget, much of which evaporated during shooting, and by its lack of Welles’ usual brilliant sound. But it has great visuals – shot by cinematographer Edmond Richard (“The Red Balloon”) in wide-screen black and white on mostly real Parisian locations.

And the film boasts a great cast: Perkins, Welles, Jeanne Moreau, Romy Schneider, Akim Tamiroff, Elsa Martinelli, Madeleine Robinson, Katina Paxinou, Gert Frobe and Michael Lonsdale.

“The Trial” is sometimes dismissed as a Welles failure. But it’s actually one of his most underrated movies, one of the most faithful of all adaptations of great 20th century literature, and a classic tale that, as Welles says in the prologue, has “the logic of a nightmare.”

Friday, Aug. 8: Jeanne Moreau Day

Jeanne Moreau

Jeanne Moreau

10:15 p.m. (7:15 p.m.): “Elevator to the Gallows” (“Frantic!”) (1958, Louis Malle). Louis Malle’s mesmerizing thriller about a desperate couple (Moreau, Maurice Ronet), trying to murder her husband and cover their tracks in a nearly empty office building at night. It’s no “Double Indemnity,” but it’s close. With a score by jazz master Miles Davis. (In French, with subtitles.)

Saturday, Aug. 9: William Powell Day

8 p.m. (5 p.m.): “The Thin Man” (1934, W. S. Van Dyke). With William Powell, Myrna Loy, Maureen O’Sullivan and Cesar Romero. Reviewed in FNB on July 28, 2012.

9:45 p.m. (6:45 p.m.): “After the Thin Man” (1936, W. S. Van Dyke). With William Powell, Myrna Loy, James Stewart and Joseph Calleia. Reviewed in FNB on June 6, 2013.

Monday, Aug. 11: Marlon Brando Day

Marlon Brando redefined the art of acting.

Marlon Brando redefined the art of acting.

8 p.m. (5 p.m.): “A Streetcar Named Desire” (1951, Elia Kazan). Kazan’s peerless staging of Tennessee Williams’ play showcases Marlon Brando’s brilliant, massively influential lead performance as the brutal but charming Stanley Kowalski. Set in steamy New Orleans where Eros and death (“Flores para las muertos!”) dance their tango, this movie has one of the all-time great casts (three of whom, though not Brando, won Oscars).

Vivien Leigh plays Blanche DuBois, Stanley’s fragile, sensual, haunted prey. Kim Hunter is Stanley’s wife and Blanche’s sister, the screamed-over Stella. Karl Malden is Blanche’s kind and respectful suitor, mom-dominated Mitch. This is Kazan’s preferred cut, with the more downbeat ending, which gives full power to Blanche’s wrenchingly poignant last line “I have always depended on the kindness of strangers.” A masterpiece.

The Wild One poster10:15 p.m. (7:15 p.m.): “The Wild One” (1953, Laslo Benedek). With Brando, Lee Marvin and Mary Murphy. Reviewed in FNB on May 1, 2013.

11:45 p.m. (8:45 p.m.). “On the Waterfront” (1954, Elia Kazan). With Brando, Lee J. Cobb, Eva Marie Saint, Karl Malden and Rod Steiger. Reviewed in FNB on June 5, 2014.

Tuesday, Aug. 12: Alexis Smith Day

10:15 a.m. (7:15 a.m.): “Split Second” (1953, Dick Powell). With Stephen McNally, Alexis Smith and Jan Sterling. Reviewed in FNB on March 5, 2013.

2 a.m. (11 p.m.): “Conflict” (1945, Curtis Bernhardt). Marriage and murder, with Humphrey Bogart in one of his villain roles. Lesser Bogey; but still worth a look. With Sydney Greenstreet.

Wednesday, August 13: Cary Grant Day

9:30 a.m. (6:30 a.m.): “His Girl Friday” (1940, Howard Hawks). With Cary Grant, Rosalind Russell, Ralph Bellamy and Gene Lockhart. Reviewed in FNB on Jan. 22, 2013.

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The Film Noir File: Jane Fonda is a high-class hooker in distress in neo-noir classic ‘Klute’

By Film Noir Blonde and Mike Wilmington

The Film Noir File is FNB’s guide to classic film noir, neo-noir and pre-noir on Turner Classic Movies (TCM). All movies below are from the schedule of TCM, which broadcasts them uncut and uninterrupted. The times are Eastern Standard and (Pacific Standard).

Pick of the Week

Klute posterKlute (1971, Alan Pakula).12:15 a.m. (9:15 p.m.). Friday, Aug. 1. With Jane Fonda, Donald Sutherland, Roy Scheider and Jean Stapleton. Reviewed in FNB on Dec. 26, 2013. Part of Jane Fonda Day and preceded at 11 p.m. (8 p.m.) by the broadcast of “AFI Life Achievement Award: A Tribute to Jane Fonda” (2014).

Sunday, August 3

2:15 a.m. (11:15 p.m.) “Advise & Consent” (1962, Otto Preminger). With Henry Fonda, Charles Laughton, Don Murray, Walter Pidgeon, Peter Lawford and Gene Tierney. Reviewed in FNB on Dec. 4, 2013.

Tuesday, August 5: Barbara Stanwyck Day

12:45 p.m. (9:45 a.m.): “Lady of Burlesque” (1943, William Wellman). With Barbara Stanwyck, Michael O’Shea and Pinky Lee. Reviewed in FNB on Dec. 12, 2012.

2:30 p.m. (11:30 a.m.). “The Two Mrs. Carrolls” (1947, Peter Godfrey). With Humphrey Bogart, Barbara Stanwyck and Alexis Smith. Reviewed in FNB on June 27, 2012.

Ball of Fire poster8 p.m. (5 p.m.): “Ball of Fire” (1941, Howard Hawks). Hawks and ace writing team Billy Wilder and Charles Brackett’s sparkling gangster romantic comedy, with Missy Stanwyck as a red hot jazz mama (in Gene Krupa’s swing band, no less). Dana Andrews as her mobster boyfriend, and Gary Cooper as the shy encyclopedia writer/editor who comes between them. Also around for the riffs: Henry Travers, S. Z. Sakall and Dan Duryea.

Wednesday, August 6: Paul Muni Day

8 p.m. (5 p.m.): “I Am a Fugitive from a Chain Gang” (Mervyn LeRoy, 1932). The scorching fact-based Warners social protest drama, based on Robert E. Burns’ autobiographical depiction of an innocent man (Paul Muni as Burns) wrongly condemned to life on a Georgia chain gang. A powerhouse of a movie that has never lost its punch. With Glenda Farrell, Preston Foster and Allen Jenkins.

9:30 p.m. (6:30 p.m.): “Scarface” (1932, Howard Hawks). With Paul Muni, George Raft, Ann Dvorak and Boris Karloff. Reviewed in FNB on July 17, 2014.

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On the radar: James Garner remembered; Grace Kelly set released; ‘Gun Crazy’ and ‘The Lineup’ on the big screen

RIP James Garner: April 7, 1928 – July 19, 2014.

RIP James Garner: April 7, 1928 – July 19, 2014.

Who didn’t love hunky James Garner? The plain-talking, straight-shooting Oklahoma boy was best known for his roles as TV’s wry Western gambler Bret Maverick and as private eye Jim Rockford on the 1970s show “The Rockford Files.” Garner died in Los Angeles on Saturday, July 19. He was 86. TCM remembers Garner on July 28 with an all-day marathon, including 1969’s “Marlowe.” Click here to see TCM’s tribute video.

The Grace Kelly Collection box setWarner Bros. has released a divine Grace Kelly box set.  The collection includes six of  Kelly’s most popular films brought together for the first time on DVD: “Mogambo” (1953, John Ford), “Dial M for Murder” (1954, Alfred Hitchcock), “The Country Girl” (1954, George Seaton), for which she won the Best Actress Oscar, “The Bridges at Toko-Ri” (1954, Mark Robson), “To Catch a Thief” (1955, Alfred Hitchcock) and “High Society” (1956, Charles Walters).

Essential viewing for any sultry blonde or princess-type. It’s easy to dismiss Kelly as a pretty, privileged face but she was, in fact, a fine actress and a bold woman, especially in “Dial M” where she fights off her attacker.

Don’t get too excited about the special-feature interview with Pierre Salinger, conducted in 1982, just months before she died. Salinger shows a knack for asking inane questions and, though the still-lovely Kelly makes the best of it, the result is very dull viewing indeed.

The Alex Theatre in Glendale will show a “car-crazy” film noir double feature on Saturday night: “Gun Crazy” (1950, Joseph H. Lewis) and “The Lineup” (1958, Don Siegel). You can read more here.

The Film Noir Foundation’s Alan K. Rode will introduce the films.

 

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