Sin City: A Dame to Kill For/2014/Miramax Films/102 min.
“Sin City: A Dame to Kill For,” with its bold visuals based on Frank Miller’s graphic novels, is a slick 3-D homage to black-and-white cinematography. The snazzy images of Miller’s film (he wrote and co-directed with Robert Rodriguez) are its chief virtue.
In this follow-up to 2005’s “Sin City” (which Miller and Rodriguez directed with Quentin Tarantino), viewers are plunged into a perilous urban universe. Created with truly spectacular special effects and animation, it’s a sleazy, dazzling, self-contained world of inky black, shocks of bright white, stunning shades of gray and pops of color.
Unfortunately, Miller and Rodriguez devote much less effort to the story – an episodic tale of temptation, lust, murder, betrayal, revenge and vigilante justice. The stellar cast – including Mickey Rourke, Jessica Alba, Josh Brolin, Joseph Gordon-Levitt, Rosario Dawson, Bruce Willis and Eva Green as the title’s Dame, nail their parts but leave you wanting more. Since only a few of the characters move from one story to the next, there aren’t enough opportunities for these great actors to spark some chemistry and play off one another.
Does the fact that the story is mined from graphic novels mean we shouldn’t expect any depth, nuance or surprise? The narratives are underdeveloped and unsatisfying to a point that suggests laziness. (Why don’t we forget about that dialogue and just add another shot of Eva’s luscious body? Or have Jessica gyrate some more. Who’s gonna complain, right?)
Presumably, the filmmakers made an effort to portray a passel of kick-ass femmes fatales, but it felt like mere window dressing. Why, for example, does Jessica Alba’s character need to mutilate herself before going into battle? In the end, these women have very little power.
This Dame is fast, fierce and entertaining, but she’s no femme fatale in my book.
“Sin City: A Dame to Kill For” opens today.