Film Noir File: Ryan seethes with rage in ‘Crossfire’

Crossfire posterLast Friday was my birthday and I have been having much fun celebrating. As a result, the Film Noir File has just one entry!

Tuesday, Sept. 23, 12:15 a.m. (9:15 p.m.) on TCM:

Crossfire” (1947, Edward Dmytryk). Based on the novel “The Brisk Foxhole” by the young Richard Brooks and directed by Edward Dmytryk in what many feel was the best period of his career, this is the famous postwar thriller about an anti-Semitic murder and the returning American soldiers mixed up in it. Co-starring Robert Mitchum, Robert Ryan, Robert Young, Sam Levene and Gloria Grahame.

The film is moody and gripping, filled with noirish dark-hued scenes, and the entire cast is excellent. But the performance everyone tends to remember best is Bob Ryan as the anti-Jewish soldier – a role that Ryan packs with seething, psychopathic hatred and rage. Incidentally, in Brooks’ original novel, the murder victim was not Jewish, but homosexual.

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Noir City returns to Portland, Ore. Sept. 19-21!

Noir City Portland

For more info: http://hollywoodtheatre.org/noir-city/

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Film Noir Blonde to introduce ‘Mildred Pierce’ Saturday in West Hollywood

“Mildred Pierce” has an outstanding cast, including Eve Arden (left), Ann Blyth and, of course, the divine Ms. Crawford.

“Mildred Pierce” has an outstanding cast, including Eve Arden (left), Ann Blyth and, of course, the divine Ms. Crawford.

More noir news to share: I will be introducing “Mildred Pierce” (1945, Michael Curtiz) at 2 p.m. this Saturday, Sept. 20, at the West Hollywood Library Community Meeting Room, 625 N. San Vicente Blvd.

The movie was popular with critics and audiences, and it garnered six Academy Award nominations including best picture. Joan Crawford won for best actress. The superb cast members (Eve Arden, Ann Blyth, Jack Carson, Bruce Bennett, Zachary Scott) balance Crawford beautifully. Arden and Blyth both got Oscar nods for supporting actress. They lost to Anne Revere in “National Velvet.”

This free screening is part of WeHo Reads, a noir-themed month-long literary program. On Saturday, Sept. 27, there will be a day of panels, music and film.

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‘The Big Sleep’ a hit in WeHo film noir series

Film Noir Blonde

Film Noir Blonde

I had a great time introducing “The Big Sleep” (1946, Howard Hawks) on Saturday at the West Hollywood Library. Many thanks to event organizers Corey Roskin and Andrew Campbell, who did a great job and gave me a warm welcome.

The free screening was part of WeHo Reads, a noir-themed month-long literary program. Next Saturday, Sept. 20, “Mildred Pierce” will play and on Saturday, Sept. 27, there will be a day of panels, music and film.

Meanwhile, I thought I’d share nuggets of info from my presentation.

***As you probably know, “The Big Sleep” stars Humphrey Bogart and Lauren Bacall, who formed one of Hollywood’s primo power couples, onscreen and off.

***“The Big Sleep” is a hard-boiled detective story, to be sure, but its mood is more upbeat, fun and entertaining than a typical film noir. It doesn’t have an angst-ridden, pessimistic, cynical vibe, nor is it a tale of American vets finding it hard to adjust to civilian life after WWII. Instead, the men are glad to be back home and the women welcome them with open arms. It was time for a little romance and there’s flirtation, risqué banter and innuendo aplenty.

The Big Sleep poster 214***Central to the sexy, sultry tone: Bogart and Bacall, of course. This was the second film they starred in. The first was 1944’s “To Have and Have Not,” where the pair fell in love and she famously lit his cig, also directed by Hawks. There were four B&B movies in total, all for Warner Bros. The other two were: “Dark Passage” (1947, Delmer Daves) and “Key Largo” (1948, John Huston).

***Hawks’ wife, Slim Keith, spotted Bacall, a teenage model, in Harper’s Bazaar. Slim showed her husband and he quickly cast her in “To Have and Have Not.” He told Bogart: “You’re the most insolent man on the screen and I’ve found a girl who’s more insolent than you.”

***“The Big Sleep” started shooting in October of 1944. Hawks, a confident, successful auteur (who later would be much admired by French critics) was sure it would be a straightforward production. Um, not so much.

***“The Big Sleep” was Raymond Chandler’s first novel (1939) and the first novel to feature the character Philip Marlowe, a tough private eye based in Hollywood. The film was the first time Bogart portrayed Marlowe.

***The first time Marlowe appeared in celluloid form was in 1944’s “Murder, My Sweet,” starring Dick Powell. This movie was based on Chandler’s second novel, “Farewell, My Lovely” (1940).

***More than likely, Chandler would have been tapped to write the script for “The Big Sleep,” but he had an exclusive contract with Paramount, which had released “Double Indemnity” earlier that year. (Chandler and director Billy Wilder had adapted “Double Indemnity” from James M. Cain’s novel.)

“The Big Sleep” script is notoriously confusing. Here, director Howard Hawks, far left, and his team try to figure it out. The film’s own backstory is also a bit tangled.

“The Big Sleep” script is notoriously confusing. Here, director Howard Hawks, far left, and his team try to figure it out. The film’s own backstory is also a bit tangled.

***Hawks hired William Faulkner and Jules Furthman, the team that had adapted Ernest Hemingway’s “To Have and Have Not,” for “The Big Sleep.”

***Also hired was a 28-year-old sci-fi writer named Leigh Brackett. Hawks, a macho type who liked to hunt, fish and shoot with his buddies, was surprised to discover that Brackett was a woman but he was glad to give her a shot. He liked women who could hold their own among manly men. She did fine and had a great career.

***Faulkner decided to divide the work in a strange way: He and Furthman would be one team and Brackett would be another. The two “teams,” working separately, would tackle alternating chapters of the book and slot them together when they’d finished. The script was somewhat disjointed and Hawks took a stab at tweaking it.

WeHo Reads event flyer

***Bacall was just 20 years old and had scant training as an actress when she played spoiled rich girl Carmen Sternwood in “The Big Sleep.” Her female co-stars were Martha Vickers as her little sister, Carmen; Dorothy Malone as a bookstore clerk and Sonia Darrin as a so-called bookstore clerk.

***The book has a serpentine plot and so does the movie. It’s easy to lose track of the narrative but there are seven dead by the end. One day, Bogart asked Hawks who killed the Owen Taylor character (the Sternwood family chauffeur). Hmm, good question. Hawks didn’t know and neither did the writers. Hawks sent Chandler a telegram and he replied that he didn’t know either.

***Hawks sometimes had to shoot around Bogart because the actor was going on drinking benders. Though Bogart had met the love of his life in Bacall, there was a glitch. Still married to his third wife, actress Mayo Methot, he ended the affair with Bacall and he tried to reconcile with Methot. It didn’t go well and Bogart took to binging. Also, there was tension because Hawks was hoping to ignite a romance with his protégée Bacall and she snubbed him.

***All that said, they still managed to have a good time on the film. In fact, Jack Warner sent Hawks this memo: “Word has reached me that you are having fun on the set. This must stop.”

Corey Roskin introduces the event.

Corey Roskin introduces the event.

***Hawks was known for fast-paced action and comedy. He also gave rise to the “bromance” before the term existed. So, as I said, this film does not have the brooding, doom-and-gloom feeling that typically characterizes film noir. By the same token, it doesn’t have the intense chiaroscuro visual style (which has its roots in German Expressionism) that so often shapes the look of film noir. Nevertheless, “The Big Sleep,” which was an A-budget title, boasts a top cinematographer: Sid Hickox, who also shot “Dark Passage.”  (Max Steiner provided the score.)

***They finished shooting in January 1945. Bogart divorced Methot and married Bacall in May 1945. “The Big Sleep” was shown to U.S. servicemen in the Philippines in August 1945. World War II was ending so Warner Bros. hurried to release  movies with war-related narratives. “The Big Sleep” wasn’t timely or topical and could be released at a later date.

***Also, Warner Bros. put “The Big Sleep” on the back burner so as not to compete with Bacall’s second movie: “Confidential Agent” (1945) based on a Graham Greene novel and co-starring Charles Boyer. Unfortunately, though, that film garnered scathing reviews for Bacall.

***Warner Bros. then turned its attention back to “The Big Sleep,” hoping the movie would be able to compensate for the disappointment of “Confidential Agent.” The studio showed it to preview audiences and they wanted more scenes with Bogart and Bacall. So did Bacall’s agent. And, as Mrs. Humphrey Bogart, she now had impressive clout.

Film Noir Blonde at the event.

Film Noir Blonde at the event.

***In January 1946, Hawks spent six days reshooting and came up with another version of the film, one that gives us more Bogie and Bacall sizzle. There is also less of Martha Vickers – even though she was quite good, promoting Bacall and recapturing the electric chemistry of “To Have and Have Not” was the priority. The new scenes reportedly were written by one or both of the Epstein brothers, Julius and Philip, of “Casablanca” fame.

***“The Big Sleep” was released on Aug. 31, 1946. The narrative was even less clear than before, but who cares?! We have Bogart and Bacall in top form – flirting and fighting off baddies – in a very entertaining film. Both versions of the movie (as well as a short documentary on the changes) are available from Warner Bros.

***Hawks was once asked what makes a great movie. His answer was three great scenes and no bad scenes. By that definition, “The Big Sleep” surely ranks as a great work.

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The Film Noir File: ‘To Have and Have Not’ and ‘Key Largo’ showcase noir’s top couple

By Film Noir Blonde and Mike Wilmington

The Film Noir File is FNB’s guide to classic film noir, neo-noir and pre-noir on Turner Classic Movies (TCM). All movies below are from the schedule of TCM, which broadcasts them uncut and uninterrupted. The times are Eastern Standard and (Pacific Standard).

Pick of the Week: Two Classics from The Couple: Bogart and Bacall
Bogie. Bacall. The Ultimate Film Noir Couple. At their best. Need we say more?

Director Howard Hawks discovered Lauren Bacall and cast her opposite Humphrey Bogart. They fell for each other while making “To Have and Have Not.” She was 19.

Director Howard Hawks discovered Lauren Bacall and cast her opposite Humphrey Bogart. They fell for each other while making “To Have and Have Not.” She was 19.

To Have and Have Not” (1944, Howard Hawks). Tuesday, Sept. 16, 10 a.m. (7 a.m.).

With Humphrey Bogart, Lauren Bacall, Walter Brennan, Hoagy Carmichael and Marcel Dalio.

Key Largo” (1948, John Huston). Tuesday, Sept. 16, 12 p.m. (9 a.m.). With Bogart, Bacall, Edward G. Robinson, Lionel Barrymore, Claire Trevor and Thomas Gomez.

Friday, Sept. 12

Miriam Hopkins

Miriam Hopkins

12:45 a.m. (9:45 p.m.): “Dr. Jekyll and Mr. Hyde” (1931, Rouben Mamoulian). Fredric March won the Best Actor Oscar for playing those exemplars of good and evil, alter-egos Jekyll and Hyde, in this dark and very stylish version of Robert Louis Stevenson’s classic about the potion that turns a good man into the devil incarnate. With Miriam Hopkins as Hyde’s sad, beauteous victim Champagne Ivy. For Jerry Lewis’ daffy version of this tale, try his 1963 comedy classic “The Nutty Professor,” on TCM this week at 8 p.m. (5 p.m.), Thursday, Sept. 11.

2:30 a.m. (11:30 p.m.): “The Story of Temple Drake” (1933, Stephen Roberts). A grim pre-Code adaptation of William Faulkner’s shocker about Deep South rape, scandal and murder, and the weird relationship between rich girl Temple (Miriam Hopkins) and the brutal gangster whom Faulkner called Popeye (Jack La Rue).

3:45 a.m. (12:45 a.m.): “Freaks” (1932, Tod Browning). With Olga Baclanova, Wallace Ford and Harry Earles. Reviewed in FNB on April 18, 2013.

Saturday, Sept. 13

Catherine Deneuve stars in "Belle."

Catherine Deneuve stars in “Belle.”

8 p.m. (5 p.m. ,.): “Belle de Jour” (1967, Luis Bunuel). With Catherine Deneuve, Michel Piccoli, Genevieve Page, Jean Sorel, Francisco Rabal and Pierre Clementi. (In French, with subtitles.) Reviewed in FNB on March 8, 2013.

Monday, Sept. 15

8 p.m. (5 p.m.): “Background to Danger” (1943, Raoul Walsh). With George Raft, Brenda Marshall, Sydney Greenstreet and Pater Lorre. Reviewed in FNB on Jan. 9, 2013.

Tuesday, Sept. 16

A shot from Bacall's modeling days.

A shot from Lauren Bacall’s modeling days.

6 a.m. (3 a.m.): “The Confidential Agent” (1945, Herman Shumlin). Classy but somewhat turgid adaptation of one of Graham Greene’s spy “entertainments.“ With Charles Boyer, Lauren Bacall and Peter Lorre.

10 a.m. (7 a.m.): “To Have and Have Not” (1944, Howard Hawks). See Pick of the Week.

12 p.m. (9 a.m.): “Key Largo” (1948, John Huston). See Pick of the Week.

Wednesday, Sept. 17

6:30 a.m. (3:30 a.m.): “The Asphalt Jungle” (1950, John Huston). With Sterling Hayden, Jean Hagen, Sam Jaffe, Louis Calhern and Marilyn Monroe.

10 a.m. (7 a.m.): “The Narrow Margin” (1952, Richard Fleischer). With Charles McGraw, Marie Windsor and Jacqueline White.

Blue Gardenia poster11:30 a.m. (8:30 a.m.): “The Blue Gardenia” (1953, Fritz Lang). With Anne Baxter, Richard Conte, Nat “King” Cole and Raymond Burr. Reviewed in FNB on May 22, 2013.

1 p.m. (10 a.m.): “Suddenly” (1954, Lewis Allen). With Frank Sinatra, Sterling Hayden, James Gleason and Nancy Gates. Reviewed in FNB on April 23, 2012.

4 p.m. (1 p.m.): “I Died a Thousand Times” (1955, Stuart Heisler.) With Jack Palance, Shelley Winters, Lee Marvin and Lon Chaney, Jr. Reviewed in FNB on Jan. 15, 2013.

6 p.m. (3 p.m.): “Al Capone” (1959, Richard Wilson). With Rod Steiger, Martin Balsam and Fay Spain. Reviewed in FNB on May 29, 2014.

8 p.m. (5 p.m.): “Billy Budd” (1962, Peter Ustinov). With Terence Stamp, Robert Ryan, Ustinov and Melvyn Douglas. Reviewed in FNB on Nov. 10, 2013.

10 p.m. (7 p.m.): “The Great Sinner” (1949, Robert Siodmak). Dark costume drama with eye-catching Siodmak direction and an extraordinary cast: Gregory Peck, Ava Gardner, Melvyn Douglas, Walter Huston, Ethel Barrymore, Agnes Moorehead and Frank Morgan. In novelist Christopher Isherwood’s offbeat screenplay, Peck is obsessed with Gardner and with gambling.

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Film Noir Blonde to introduce ‘The Big Sleep’ Saturday in LA

“The Big Sleep” was the second film in which director Howard Hawks paired Bogart and Bacall. The first was “To Have and Have Not” (1944).

“The Big Sleep” was the second film in which director Howard Hawks paired Humphrey Bogart and Lauren Bacall. The first was “To Have and Have Not” (1944).

Film Noir Blonde

Film Noir Blonde

I have some news to share: I will be introducing “The Big Sleep” (1946, Howard Hawks) at 2 p.m. this Saturday, Sept. 13, at the West Hollywood Library Community Meeting Room, 625 N. San Vicente Blvd.

Directed by Hollywood giant Howard Hawks, particularly known for helming action and comedy flicks, “The Big Sleep” is sly, fast and funny. Best of all, the film stars the inimitable Humphrey Bogart and Lauren Bacall. What’s not to love?

This free screening is part of WeHo Reads, a noir-themed month-long literary program. Next Saturday, “Mildred Pierce” will play and on Saturday, Sept. 27, there will be a day of panels, music and film.

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Film noir is the focus of WeHo Reads, starting Saturday

The Big Sleep poster 214September is National Literacy Month and the City of West Hollywood came up with a great idea to celebrate: a month’s worth of community literary events collectively called WeHo Reads. The city will screen a classic film noir at 2 p.m. every Saturday from Sept. 6 to Sept. 20. And it’s free!

The films, which will be shown at the West Hollywood Library Community Meeting Room, 625 N. San Vicente Blvd., are “Double Indemnity,” “The Big Sleep” and “Mildred Pierce.”

In honor of  “Double Indemnity” kicking off all the darkness, you can read our 14 reasons we love this flick.

On Saturday, Sept. 27, there will be a day of panels, music and film. At 7:15 p.m., there will be a free outdoor screening of “Who Framed Roger Rabbit.”

See you in WeHo, noiristas!

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The Film Noir File: Huston works the angles in ‘Asphalt Jungle’

By Film Noir Blonde and Mike Wilmington

The Film Noir File is FNB’s guide to classic film noir, neo-noir and pre-noir on Turner Classic Movies (TCM). All movies below are from the schedule of TCM, which broadcasts them uncut and uninterrupted. The times are Eastern Standard and (Pacific Standard).

Pick of the Week

“The Asphalt Jungle” was a hugely influential thriller.

“The Asphalt Jungle” was a hugely influential thriller.

The Asphalt Jungle” (1950, John Huston). Thursday, Sept. 4, 10:30 p.m. (7:30 p.m.). With Sterling Hayden, Sam Jaffe, Jean Hagen, Marilyn Monroe, Louis Calhern. Reviewed here.

Thursday, Sept. 4

4:30 p.m. (1:30 p.m.): “Obsession” (1949, Edward Dmytryk). A classic noir helmer, Edward Dmytryk, puts a classic noir ham, Robert Newton, through the agonies of mad marital jealousy in this lesser known, but gripping thriller. With Sally Gray and Naunton Wayne.

6:15 p.m. (3:15 p.m.): “The Sniper” (1952, Edward Dmytryk). Arthur Franz plays a psychologically disturbed sniper, picking off his victims from the upper stories, in this solid Dmytryk noir thriller.

Shirley MacLaine plays the party girl who loves Frank Sinatra to pieces.

Shirley MacLaine plays the party girl who loves Frank Sinatra to pieces.

8 p.m. (5 p.m.): “Some Came Running” (Vincente Minnelli, 1958). Frank Sinatra plays a World War II returning vet and prospective novelist who goes back to his bourgeois Midwestern hometown. There he becomes involved with his stuffy, square relatives and neighbors (Arthur Kennedy and Martha Hyer), a charming gambler (Dean Martin), and an adoring party girl (Shirley MacLaine) who loves him to pieces. One of the great underrated American ‘50s movies, it’s as good as any of Douglas Sirk’s romantic melodramas. In some ways, this picture is just as much a classic as “From Here to Eternity.” And, if Shirley, as Ginny, doesn’t make you cry, you have no heart. From James Jones’ novel (as was “Eternity.”)

10:30 p.m. (7:30 p.m.): “The Asphalt Jungle” (1950, John Huston). See Pick of the Week

Friday, Sept. 5

12:15 p.m. (9:15 a.m.): “Safe in Hell” (1931, William Wellman), With Dorothy Mackaill and Donald Cook. Reviewed in FNB on May 6, 2013.

Saturday, Sept. 6

Caged poster4:15 a.m. (1:15 a.m.): “Caged” (1950, John Cromwell). With Eleanor Parker, Agnes Moorehead and Hope Emerson. Reviewed in FNB on July 13, 2012.

Sunday, Sept. 7

12 p.m. (9 a.m.): “And Then There Were None” (1945, Rene Clair). With Barry Fitzgerald, Walter Huston, Judith Anderson and Louis Hayward. Reviewed in FNB on March 5, 2014.

Tuesday, Sept. 9

8 p.m. (5 p.m.): “The Stranger” (1946, Orson Welles). Orson Welles plays a mad post-World War II fascist who’s hidden himself in a peaceful New England city. He‘s about to marry Loretta Young and is being pursued by a relentless cop, Edward G. Robinson. Welles’ most conventional thriller was also his most popular with audiences. It’s no “Touch of Evil,” but it still plays well.

11:45 p.m. (8:45 p.m.): “The Pawnbroker” (1964, Sidney Lumet). With Rod Steiger, Geraldine Fitzgerald, Brock Peters and Juano Hernandez. Reviewed in FNB on June 28, 2014.

Wednesday, Sept. 10

2:30 p.m. (11:30 a.m.): “They Made Me a Fugitive” (1947, Alberto Cavalcanti). From Cavalcanti, the director of the classic French documentary “Rien que les Heures,“ this is a good British noir, in the Carol Reed vein. Trevor Howard is an embittered escaped con, wrongly convicted of murder, who breaks out and goes after the real killer. With Sally Gray.

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The Film Noir File: ‘I Wake Up Screaming’ is a sleeper gem that won’t make you snooze

By Film Noir Blonde and Mike Wilmington

The Film Noir File is FNB’s guide to classic film noir, neo-noir and pre-noir on Turner Classic Movies (TCM). All movies below are from the schedule of TCM, which broadcasts them uncut and uninterrupted. The times are Eastern Standard and (Pacific Standard).

Pick of the Week

Playing as part of Betty Grable Day.

Playing as part of Betty Grable Day.

I Wake Up Screaming” (1941, H. Bruce Humberstone). Saturday, Aug. 30. 11:45 p.m. (8:45 p.m.).

In the Neglected Works of Noir department, “I Wake Up Screaming” is just crying out for attention.

Director H. Bruce Humberstone made a fun and taut whodunit that’s also a treat for the eyes. The film stars Betty Grable (singer, dancer and pin-up legend in her first dramatic role) and Carole Landis as sisters Jill and Vicky Lynn, who quickly shed their homespun sensibilities as they fend for themselves in New York City. You can read the full review here.

Friday, Aug. 29 (Joseph Cotten Day)

8 a.m. (5 a.m.): “Under Capricorn” (1949, Alfred Hitchcock). With Ingrid Bergman, Joseph Cotten and Margaret Leighton. Reviewed in FNB on Nov. 17, 2012.

11:30 a.m. (8:30 a.m.): “The Steel Trap” (1952, Andrew L. Stone.) With Cotten, Teresa Wright and Jonathan Hale. Reviewed in FNB on Nov. 26, 2012.

3 p.m. (12 p.m.) “Gaslight” (1944, George Cukor). With Bergman, Charles Boyer, Cotten, Dame May Whitty and Angela Lansbury. Reviewed in FNB on Aug. 26, 2012.

6:45 p.m. (3:45 p.m.): “Journey Into Fear” (1942, Norman Foster & Orson Welles (uncredited). As he would later in “The Third Man,” star Joseph Cotten here plays an innocent American coping with corrupt WW2-era Europe. Based on one of novelist Eric Ambler’s brainy, tense, left-wing spy thrillers and set in war-torn Eastern Europe, the movie was faithfully adapted by the Mercury Theater Company, by their fearless leader, Orson Welles and his designated director Norman Foster. (Cotten also co-wrote the screenplay.) Like too much of Welles’ work, the film was mutilated in the cutting, but it still packs a Wellesian punch. With Dolores Del Rio, Agnes Moorehead and Everett Sloane.

12:15 a.m. (9:15 p.m.): “The Third Man” (1949, Carol Reed). With Cotten, Welles, Alida Valli and Trevor Howard.

2:15 a.m. (11:15 p.m.): “Citizen Kane” (1941, Orson Welles). With Welles, Cotten, Sloane, Dorothy Comingore, Moorehead and Ray Collins. Reviewed in FNB on July 13, 2012.

Saturday, Aug. 30 (Betty Grable Day)

11:45 p.m. (8:45 p.m.): “I Wake Up Screaming” (1941, H. Bruce Humberstone). See Pick of the Week above.

Blue Dahlia posterSunday, Aug. 31 (Alan Ladd Day)

12:45 p.m. (9:45 a.m.): “The Glass Key” (1942, Stuart Heisler). With Alan Ladd, Veronica Lake, Brian Donlevy and William Bendix.

10:15 p.m. (7:15 p.m.): “This Gun for Hire” (1942, Frank Tuttle). With Ladd, Lake, Robert Preston and Laird Cregar.

12 a.m. (9 p.m.): “The Blue Dahlia” (1946, George Marshall). With Ladd, Lake and Bendix.

Wednesday, Sept. 3

12 a.m. ( p.m.): “A Woman’s Face” (1941, George Cukor). With Joan Crawford, Melvyn Douglas, Conrad Veidt, Marjorie Main and Henry Daniell. Reviewed in FNB on Jan. 16, 2014.

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Chicago welcomes Noir City 6: It’s a Bitter Little World

Too Late for Tears posterNoir City 6: It’s a Bitter Little World hits Chicago’s Music Box Theatre on Friday, Aug. 29. The fest, presented in partnership with the Film Noir Foundation, features classic noir films from France, Japan, Argentina, Spain, Italy and Britain as well as a sampling of homegrown Hollywood rarities.

“Our desire to expand the scope of the Noir City festival has resulted in our most ambitious program ever,” says Film Noir Foundation president Eddie Muller. “The 14 films in the series reveal that the cinematic movement known as noir spanned the globe, and its style, sexiness and cynicism crossed all international borders.”

The festival will kick off with the foundation’s latest 35mm film restoration, “Too Late for Tears” (1949, Byron Haskin), starring Lizabeth Scott and Dan Duryea, and a newly struck 35mm print of the tough-as-nails “Roadblock” (1951, Harold Daniels), starring noir favorite Charles McGraw.

The fest runs through Sept. 4.

Grab some Garrett’s popcorn, a Chicago tradition since 1949, and you’ll in be in retro-movie heaven!

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