By Michael Wilmington & Film Noir Blonde
The Noir File is FNB’s guide to classic film noir, neo-noir, sort of noir and pre-noir on cable TV. All movies below are from the schedule of Turner Classic Movies (TCM), which broadcasts them uncut and uninterrupted. The times are Eastern Standard and (Pacific Standard).
PICK OF THE WEEK
“Some Like It Hot” (1959, Billy Wilder). Saturday, March 2, 1:15 p.m. (10:15 a.m.)
The place: Chicago. The color: a film noirish black and white. The caliber: 45. The proof: 90. The time: 1929, the Capone Era and the Roaring Twenties, roaring their loudest. We’re watching “Some Like It Hot” and Tony Curtis and Jack Lemmon are playing Joe and Jerry: two talented but threadbare Chicago jazz musicians working in a speak-easy fronted as a funeral parlor. Joe, who plays saxophone, is a smoothie and a champ ladies’ man. Jerry is your classic Jack Lemmon schnook, with a couple of kinks thrown in.
After getting tossed out of their speak-easy band jobs by a police raid and accidentally witnessing the St. Valentine’s Day Massacre (ordered by their ex-employer, George Raft as natty gangster Spats Colombo), they flee to Miami. They’re chased by the gangsters and the cops (Pat O’Brien as Detective Mulligan) but the guys are disguised as Josephine and Daphne, musicians in an all-female jazz orchestra.
The star of Sweet Sue and her Society Syncopators, songbird and ukulele player Sugar Kane, is the Marilyn Monroe of our dreams. Sugar has a weakness for saxophone players. Josephine and Daphne have a weakness, period. Director Billy Wilder, who made lots of gay jokes in his time, deliberately keeps his two cross-dressing stars straight.
Read the full review here.
Wednesday, Feb. 27