It’s good when you have a few spare minutes and find yourself near a bookstore. In my case, I was browsing at Diesel Books in Brentwood and saw these yummy titles. Can’t wait to dig in.
You know it’s worth paying attention when an alpha-male who eschews all things metrosexual surprises you by recommending a skin-care product. My ears perked up when my sometimes-curmudgeonly guy friend told me how much he liked the OroGold line and how good it made his skin look.
I decided I had to try some myself and I saw such terrific results that I’m awarding OroGold an honorary Oscar. These products really perform and I’m pleased to give rave reviews.
According to the company, gold has been used for its beautifying and restorative properties since the days of Cleopatra, who was said to have slept in a gold mask every night. Today you can tap the dazzling goodness of gold even if your claim to an actual throne is a tad shaky.
A great way to start is the 24K Daily Essential Kit, which includes day and night cream as well as a gleaming pot of exfoliator. All three products contain 24 karat gold and vitamin E.
After I tried the kit, my skin felt hydrated and looked healthy and well rested. Both lightweight and potent, a little goes a long way. Also, I noticed an immediate improvement when I tried the 24K Neck-Lift Cream, which uses gold and hyaluronic acid to minimize the signs of aging.
The Tèrmica™ energizing mask and activation serum also produced a dramatic effect – an irksome line was instantly much less noticeable. Oro’s 24K Mousse Perfecting Foundation, available in seven shades, uses 24K gold and titanium dioxide to replenish the skin.
For your consideration: My experience is, of course, unique to me. I recommend trying a sample and evaluating before you buy. (In-store salespeople might steer you toward buying bundles of the many products available, sometimes offering one-time-only deals.)
So when I tune into the Oscars on Sunday, I’ll know at least one winner in advance: OroGold in the category of Best Beauty Bling.
A few weeks ago, I posted about Jeanne Carmen, a pin-up model, ace golfer, B-movie actress and friend of Marilyn Monroe.
Jeanne’s son Brandon has kindly shared these images from her work in film noir and in the Western genre. She appears on posters for all three movies.
“Portland Exposé” (1957, Harold D. Schuster) based on a true story of a mob syndicate in Portland, Ore.
You can watch scenes from the movie here.
“Guns Don’t Argue” (1957, Richard C. Kahn, Bill Karn) was a compilation of a 1952 TV series released as a feature film. It’s true crime anthology of Pretty Boy Floyd, John Dillinger, Ma Barker and Bonnie & Clyde. In it, we see Jeanne Carmen as Floyd’s moll. You can watch scenes from the movie here.
“The Three Outlaws” (1956, Sam Newfield) tells the story of Butch Cassidy and the Sundance Kid. Jeanne Carmen plays a temptress named Polimita. You can watch scenes from the movie here and here.
And how could I resist running what is perhaps Jeanne Carmen’s most famous movie, “The Monster of Piedras Blancas” (1959, Irvin Berwick).
Five film noir classics from Columbia Pictures are coming to DVD for the first time ever in the latest home video collection from Turner Classic Movies (TCM), the Film Foundation and Sony Pictures Home Entertainment.
Film Noir Classics IV includes five feature films – “So Dark the Night” (1946), “Johnny O’Clock” (1947), “Walk a Crooked Mile” (1948), “Between Midnight and Dawn” (1950) and “Walk East on Beacon” (1952) – each of which has been fully restored and remastered.
The collection features a video introduction by Academy Award®-winning director and Film Foundation founder Martin Scorsese.
Available only through TCM’s online store, Film Noir Classics IV will be released as part of the TCM Vault Collection on Sept. 16. The films in the collection showcase the work of Joseph H. Lewis, Robert Rossen, Gordon Douglas and Alfred L. Werker, directors who were masters at creating taut and atmospheric visions from morally complex, hard-boiled stories.
The collection also highlights the genre-defining cinematography of Burnett Guffey and George E. Diskant and iconic performances by such film noir mainstays as Dick Powell, Evelyn Keyes, Lee J. Cobb, Dennis O’Keefe and Edmond O’Brien, who each excelled at revealing the raw heart that beat beneath noir’s tough exteriors.
TCM Showcase: Barbara Stanwyck shows the tough and versatile actress in “The Lady Eve” (1941), perhaps the greatest film noir of all “Double Indemnity” (1944), “All I Desire” (1953) and “There’s Always Tomorrow” (1956).
TCM Showcase: Claudette Colbert features the playful and sophisticated Colbert in “Cleopatra” (1934), “Imitation of Life” (1934), “Midnight” (1939) and “The Palm Beach Story” (1942).
TCM Showcase: Barbara Stanwyck and TCM Showcase: Claudette Colbert are on sale now from the TCM online store. Each set is available for $24.99, 17 percent off the suggested retail price.
TCM and Universal’s collaboration began in 2009 with the launch of the TCM Vault Collection. While the vault collection focuses on rare and hard-to-find titles, the showcase collection offers Hollywood’s greatest stars in the roles that made them legends.
Famous for his bold, intricately plotted, ultra-violent stories about pimps and petty gangsters, director and writer Fernando Di Leo perfected the genre with an uncanny accuracy that prefigured the works of Quentin Tarantino and John Woo.
Raro Video U.S. collects some of his finest work in Fernando Di Leo: The Italian Crime Collection Volume 2, a three-DVD set that includes Di Leo’s lost masterpiece, “Shoot First, Die Later,” which has never been available on DVD or Blu-ray before, along with “Kidnap Syndicate” and “Naked Violence.”
The set, which also contains an impressive list of bonus features, will arrive on DVD and Blu-ray on Tuesday, July 30.
Down the road from Raro Video: DVD and Blu-ray versions of The Conformist directed by Bernardo Bertolucci, restored from the original 35mm negative. Stay tuned for release date and bonus features.
From the LA Times review: “Films noir,” Lingeman declares at the outset, “are a key for unlocking the psychology, the national mood during those years.” But despite its title, The Noir Forties is not a book about the films – for that, readers should turn to J. Hoberman’s recent book An Army of Phantoms: American Movies and the Making of the Cold War, and to the classic More Than Night: Film Noir in its Contexts by James Naremore. Instead, Lingeman’s book provides a broader history of the brief but crucial period when the world of the New Deal died and the iron cage of Cold War politics and culture was forged. It would remain in place for the next 45 years.
Meanwhile, if you are in need of last-minute Valentine’s gift ideas for your guy(s), click here.
I’m back today with more stuff to covet. First, a few classics that any film noir fan should own. These books have been out for a while but I wanted to mention them because the Library of America editions are particularly well done.
“Crime Novels: American Noir of the 1930s and 40s” (Vol. 1) includes The Postman Always Rings Twice, They Shoot Horses, Don’t They?, Thieves Like Us, The Big Clock (Library of America), $35.
“Raymond Chandler: Stories and Early Novels: Pulp Stories” includes The Big Sleep, Farewell, My Lovely, The High Window (Library of America), $40.
“Raymond Chandler: Later Novels and Other Writings” includes The Lady in the Lake, The Little Sister, The Long Goodbye, Playback, Double Indemnity screenplay, selected essays and letters (Library of America), $35.
And now for some newly released titles.
As a curator for the History Channel Shop, I’ve recommended 30 of my favorite film noir titles. You can’t go wrong with the Film Noir Classic Collection Vol. 1 (Warner Bros.). This essential set includes: The Asphalt Jungle, Out of the Past, Murder My Sweet, Gun Crazy and The Set-Up. (You can read mini-reviews of the first four titles on the Shop page or search for full-length reviews on this site.)
Last month, Paramount released “Sunset Blvd.” on Blu-ray, $27. Here’s a special-feature clip, a discussion of the mansion and pool in the film.